Monday, September 23, 2013

The people behind Pioneer’s Museum preserving the Imperial Valley’s history

Tractor at Desert Museum: A rare tractor sits in storage at the museum. It is one of a few left in the world and is in working condition. (Erick Miller, Staff Photographer)

By ALEXIS RANGEL, Staff Writer
Imperial Valley Press


IMPERIAL — Lynn Housouer had heard stories as a young girl about her great-great-grandfathers both fighting against each other in the American Civil War but she never really paid attention until she was old enough to do her own research.

As the Chief Executive Officer and Archivist at Imperial County’s Pioneer Museum, she said oftentimes when we are young we don’t always pay attention to the stories our elders share with us.

“So you just hear it,” Housouer said, “until you are old enough to do your own research because now that my grandmother is gone I can’t call and ask her (questions) like I should have asked her when she was telling me the stories.”

Which is unfortunate, but makes Housouer’s work in preserving the Imperial Valley’s history for future generations all the more important.

She speaks from personal experience, as she says that after her grandparents passed she began cleaning out her grandmother’s sewing room.

To her surprise she discovered a box high above a shelf.

Climbing to reach the box she found an old picture of her great grandfather during the Spanish-American War with his uniform below the photo.

Having worked on the archives for the past 20 years Housouer has handled hundreds if not thousands of artifacts with the help of the museum’s curator Leanne Rutherford.

Both Housouer and Rutherford agree that they have always had an interest in history and working at the museum feels like a treasure hunt.

With more than 6,000 artifacts at the museum everything you see on display is tied in to the history of the Imperial Valley.

Housouer’s role at the museum as the archivist is preservation, she says.

Preserving artifacts, cataloging them into the computer, and making sure they are in an acid-free file folder or bag is an instrumental part of an being an archivist.

“We do what we can to preserve them for our future generations,” she said.

The museum runs on the help of volunteers, willing to give their time in preserving the county’s history.

One of those volunteers, Rutherford helps Housouer research the thousands of artifacts that go into their database.

Rutherford sees her position as the curator a bit different than one might at other museums.
“I help raise funds to keep the museum doors open,” Rutherford said.

Along with fundraising, Rutherford said her strength is in helping Housouer research the artifacts they receive.

Rutherford said she can spend weeks researching an item.

“Because you get to a point and you can’t find the answer you were looking for,” she said, “and you need to know what is going on.”

As curator and archivist at the museum it can be tedious work but Rutherford and Housouer say it is a passion of theirs.

Monday, September 9, 2013

New displays take center stage as Needles Museum opens for season

This is one of several new displays at the Needles Regional Museum on Front Street. This display focuses on a scene from a 1930s beauty shop and what it may look like to get hair done. There are curlers and hair drying machines on display. The museum recently reopened for the season and is open 10 a.m. - 2 p.m. Tuesday through Friday. (JENNIFER DENEVAN/Needles Desert Star)

By JENNIFER DENEVAN
Needles Desert Star


NEEDLES — New displays and additional binders with historical information are part of what’s new at the Needles Regional Museum this year.

The museum, 929 Front St., reopened for the season Sept. 3. The museum is open from 10 a.m. - 2 p.m. Tuesday through Friday.

Flora Hill, president for the museum, said the large display at the back of the museum features a couple of mannequins depicting a scene straight from a 1930s beauty salon. Getting a ‘perm’ for a woman was a task back then.

Hill recalled a time when, as a child, her mother tried one out on her. The permanent wave machine looked like a tentacled beast with heated clamps at the ends in order to “permanently” curl hair.

It turned out to be a bit of a traumatic experience as it wasn’t easy to get curls at that time, Hill said laughing. She never tried it again, she continued.

The large display also includes other equipment and devices someone might have seen at the time including old clippers for men and a hair dryer. There is even a photo of Hill with her curls and her two siblings.

Not all the display cases have been changed yet, but most have been, Hill said. One such case that’s been rearranged to display items features old toys.

Hill said there are several dolls including an original “Dennis the Menace” and a Ricky Jr. from the “I Love Lucy” show. There are also several toys at the top of the case featuring heavy equipment made of iron which used to belong to Ed Perry, she continued.

One display case will be changed to show off old hats and some gloves, Hill said. There are several old hats exemplifying what would have been worn in an era gone by.

Along with new displays, there are new binders with Needles history featured, she said. There were already several binders discussing certain families and their histories, but there are more now including a couple showing old articles from several publications through the years, she added.

Hill said there are also new books for sale in the shop area.

The museum volunteers are doing a lot of work in being involved with the city’s Centennial Celebration, to be held Oct. 4, 5 and 6.

The calendar, a popular annual fundraiser for the museum, is coming out early this year because of the celebration, Hill said. Volunteers are also planning on having a special display for the centennial that will include several oral histories the museum has permission to play, she added.

In addition to new displays and books, the museum is always seeking donations of items that are in fairly good condition, Hill said. While space remains limited, having new items to be able to display at different times is a constant goal for the museum, she continued.

Volunteers are also always needed, she said. There isn’t a set amount of time someone has to commit to, she continued, but any time offered would be accepted.

Anyone interested in being a volunteer can call Cheryl at 760-326-4008. For more information about the museum call Flora at 760-326-2687 or Jackie at 760-326-4273.

Sunday, August 4, 2013

Auto Trail to be built to the Grand Canyon

Judge J. M. Lowe
The past 100 years
Santa Fe New Mexican


August 4, 1913: This is a message brought from Judge J.M. Lowe, president of the National Old Trails [Road] Association, and vice-president of the National Highways Association — two powerful organizations which are going to build a highway right through Santa Fe, on to the Grand Canyon and to the coast: “When this great transcontinental road is built, Santa Fe will take on new life. It will be the greatest tourist route in all the world. From Trinidad down through the Glorietas, up through Santa Fe, and on to the Grand Canyon, will be a road the like of which cannot be found in either hemisphere. …

“The roads from Santa Fe leading out to the numberless places of interest ought to be improved so as to hold the tourist as long as possible. Santa Fe is superior in climate, in scenery and in historic interest to anything in Southern California, and yet the tourists have enriched California beyond the dreams of avarice.”

Sunday, July 21, 2013

Homesteading's role in settling Arizona Territory

Days Past: Jasper and Sarah Cartwright were early homesteaders in the Arizona Territory of the late 1870s. (Photo courtesy of Patrick Grady)

By PATRICK GRADY
Special to the Prescott Daily Courier

This is a summary of a presentation Patrick Grady will make at the 10th annual Western History Symposium at the Hassayampa Inn Aug. 3. The symposium is co-sponsored by the Prescott Corral of Westerners and the Sharlot Hall Museum and is open to the public free of charge. For more details, visit the Corral's website at www.prescorral.org or call Fred Veil at 443-5580.
Homesteading. The word evokes sod houses in Nebraska or the fabled Okla-homa land rush or the novels of Laura Ingalls Wilder. But what about the desert and mountain regions of Arizona Territory?

Homesteading is often ignored in the stories of the settlement of Arizona. While historians have generally downplayed the overall impact of the 1862 Homestead Act on western migration, an estimated 1.7 million homesteaders found opportunity that might otherwise have eluded them, successfully claiming 270 million acres.

In Arizona from the 1870s through 1940, more than 21,000 patents, covering 4.1 million acres, were issued. That number is rather small when contrasted with the 87,000 patents issued in New Mexico, covering 19.4 million acres. Yet all across Arizona there are inspiring stories of homesteaders creating new communities in a wild land during the latter part of the 19th century. A brief overview of that history reveals the significance of homesteading to the future of many a prominent settler and to the establishment of a surprising number of new towns in Arizona.

Take Sedona for example. Several notable landmarks today are on former homestead property - Crescent Moon Park; Slide Rock State Park; Indian Gardens; Junipine; Chavez Ranch; and Los Abrigados. Frank Owenby later sold his homestead to T. C. Schnebly, whose wife, Sedona, provided the town's name.

A similar story unfolded in early Tucson. More than 280 patents were issued in three townships surrounding the Tucson townsite from 1874 to 1900. Early prominent pioneers included William S. Oury, Sidney DeLong (first mayor of Tucson), miller Solomon Warner, merchant and farmer Samuel Hughes, Hiram Stevens, Ramon Pacheco and Pedro Aguirre. In those three townships, 208 patents were issued to Mexican pioneers. Further east, Mexicans were early homesteaders in the San Pedro Valley.

Look at Phoenix. In the 1870s alone 93 homesteaders successfully claimed land near the Salt River. Expansion continued along new canal routes and related irrigation ditches, providing valuable water to this young farming community. Early Phoenix pioneers included prominent community leaders - John Alsap, Darrell Duppa, William Hancock, William Hellings, and the Isaac, Cartwright, Osborn, and Orme families. From 1872 to 1900, 399 patents were issued in Phoenix in the six townships surrounding the townsite. Only 31 of those were patented by Mexicans. Several 160-acre homesteads would become Phoenix's first subdivisions in the 1880s.

Further east along the Salt River, the Mormon colonizers of 1877 utilized homesteading laws to establish their colony in the Lehi-Mesa area. From the early 1880s to 1900, 145 patents were issued in the single township. Mormon leaders like the Jones, Rogers, Crismon, Pomeroy, and Sirrine families were among that group. Nearly 80 percent of the Mesa township land was patented by 1900. Moreover, Mormon colonists were prevalent throughout the Arizona Territory (and frequently used the Homestead law) along the Gila River, in several White Mountain communities, the Arizona Strip and elsewhere.

In Prescott, from 1870 to 1900, only 73 patents were issued in the two townships adjacent to the townsite. But this does not include the 1864 -1865 flurry of Pre-Emption filings by the early arrivals, including Van Smith, Richard McCormick, George Lount, King Woolsey and others. Even Paulino Weaver, reputed to be Prescott's first settler along Granite Creek, filed a Pre-Emption claim (signing his name with an "X"), although it was located in Walnut Grove, not in Prescott. The list of successful homesteaders using the 1862 law, however, includes Levi Bashford, Hezekiah Brooks, Henry Fleury, Jacob and Samuel Miller, Andrew Moeller, Albert Noyes and the Simmons, Dickson, and Sanders families - all prominent Prescottonians. That number included three women but only two Mexican homesteaders.

***

Come to the Western History Symposium Aug. 3 to learn more about the trials and triumphs of a number of the early Phoenix and Prescott homesteaders. Topics include settlement patterns, family histories and the homesteading experience of the Miller brothers, Henry Fleury and the Dickson, Sanders, and Mitchell families of Prescott, as well as the Hancock and Cartwright families of Phoenix. Their engaging stories and journeys, found in homesteading files, family letters and reminiscences, reflect the many facets (some untold until recently) of the pioneer spirit that contributed to the settling of the Arizona Territory.

Days Past is a collaborative project of the Sharlot Hall Museum and the Prescott Corral of Westerners International. This and other Days Past articles are available at www.sharlot.org. Submit articles for Days Past consideration to Scott Anderson via email at archivesrequest@sharlot.org.

Sunday, June 30, 2013

Financial shortfalls threaten local museum

After 20 years of operation, the struggling Victor Valley Museum in Apple Valley will continue to stay open with a portion of $200,000 in bridge funding from San Bernardino County. (SARAH ALVARADO)

Rene De La Cruz, Staff Writer
Victorville Daily Press


APPLE VALLEY • The future of a key educational facility in the High Desert hangs by a financial thread.

After 20 years of operation, the struggling Victor Valley Museum will continue to stay open with a portion of $200,000 in bridge funding from San Bernardino County.

Because of the county’s budget reduction for 2013-14, nine positions have been eliminated in the county’s museum budget, with additional bridge funding retaining the one paid employee at the museum in Apple Valley.

The county’s museum budget of $3.1 million reflects a reduction of nearly $770,000.

In May, Director of San Bernardino County Museums Robert McKernan said the local museum had to temporarily layoff one paid staff worker because of a lack of funds.

McKernan said the county was not planning on closing “any facility in our system of museums.”

On Friday, Facility Manager of the Victor Valley Museum Rhonda Almager said she was ecstatic to be back after being temporarily laid off for almost two weeks.

“It was touch and go, but I love this place,” said Almager, who has worked for the museum system for 24 years. “It’s me and about 14 volunteers. I’m grateful to still be here.”

Since May, news of the lack of museum funds spread, with the rumor mill lamenting the impending closure of the facility.

The county’s $4.4 billion budget for 2013-14, passed June 12, reveals limited one-time sources to fund certain costs as part of a multi-year plan to address a five-year structural deficit.

A few of those one-time fund issues include covering shortfall in the county museum system, Fire Department and underfunded programs and projects in Land Use Services and Public Works.

The budget also revealed that the county will work with other government agencies to explore opportunities to “transfer the ownership/operation of the Victor Valley Museum to another entity.”

One of those entities may be the newly formed Friends of the Victor Valley Museum, which held its inaugural fundraiser and reception in November to raise funds and promote community awareness and involvement in the museum.

During the event, Brad Mitzelfelt, the county’s 1st District supervisor at the time, pledged $125,000 of remaining discretionary funds as matching funds for the nonprofit group.

The museum opened as an independent nonprofit in 1992. It closed for a one-year renovation project after the county acquired it in February 2010 after declining revenue threatened its closure.

Thursday, June 27, 2013

Exhibit focuses on mysterious shacks

Kim Stringfellow’s “Jackrabbit Homestead” documents the history behind empty dwellings that dot the desert

This image of a desert shack in Wonder Valley is part of Kim Stringfellow's "Jackrabbit Homestead" exhibit. (KIM STRINGFELLOW/CONTRIBUTED IMAGE)

By Mark Muckenfuss
Riverside Press-Enterprise

Broken glass and dirt crunched under Kim Stringfellow’s sandals as she picked her way through an abandoned desert cabin in Wonder Valley, a thinly populated plain east of Twentynine Palms.

The walls were nearly skeletonized — mostly bare timber frames with a few asbestos shingles still hanging onto the weathered wood of the exterior.

In what once was a living area, a tangle of rusted coils and a wooden frame were all that remained of a couch, its upholstery shed long ago. In the ruins of the bedroom a dresser still stood, its top two drawers gaping and full of debris.

Stringfellow peered in, curious.

“You wonder about the people that inhabited these cabins and what their stories were,” said Stringfellow, 49, an artist living in Joshua Tree. “How long did they live there? How did they end up here?”

The cabins — some still occupied, others nearly ghosts — dot the desert chaparral east of Twentynine Palms. Stringfellow’s fascination with them has spawned an art exhibit, “Jackrabbit Homestead.”

The show opens at the UCR Culver Center of the Arts in downtown Riverside on Saturday, June 29 and includes photographs, historical material and a life-sized floor plan of a homestead cabin. A companion website offers audio interviews and a map showing where people can tour some of the cabins.

Stringfellow published a book on the subject in 2008. But she has continued to explore the cabins, built as part of the Small Tract Act of 1938, as well as their importance to the landscape and to the development of today’s desert communities. These were the original residents who helped make towns such as Twentynine Palms and Yucca Valley viable.

“It looks like a wash came through here are some point,” she said, noting the alluvial soil covering the cabin’s floor. “People would build during the dry season, and they weren’t accustomed to what happened when the rain came.”

Often when a cabin was hit by a mud flow, she said, the occupants would abandon the place, suddenly realizing the utopia of free wide-open spaces and self-determination was more often than not just a fantasy.

Tyler Stallings, artistic director of the Culver Center, said Stringfellow — an assistant professor of art at San Diego State University — is one of dozens of artists seeking their own utopias in the Mojave Desert near Joshua Tree. Many of them are drawn by the open expanse and the stark beauty of the desert, as well as the affordable property that once drew the homesteaders.

Stringfellow’s show is the latest in a series of projects and exhibits Stallings has produced in an effort to connect art and the Inland region’s deserts.

“Many nationally recognized artists are choosing to ground their work in and around Joshua Tree National Park in the Mojave Desert in a relocation that is akin to the spirit of the Wild West,” Stallings said via email.



JOHN WAYNE EXPERIENCE

Stringfellow said many of those who built the desert cabins in the middle of the 20th century were attracted by the romance of the vast open spaces.

“Everyone wanted that John Wayne Western experience,” she said.

And for just a handful of dollars, they were able to take a stab at it.

The Small Tract Act grew out of a migration of necessity, but blossomed into something wholly different.

The genesis of the historic episode is generally credited to Dr. James Luckie, a Pasadena physician often acknowledged as the father of Twentynine Palms. In the wake of World War I, Luckie was treating veterans with respiratory problems resulting from mustard gas exposure. He encouraged many of them to relocate to the desert, where the air was warm and dry.

Some acquired land through the existing Homestead Act. But meeting that act’s requirement for cultivating a certain number of acres on a homestead was a challenge in the Mojave. In the mid-1930s, a federal land inspector suggested a different set of rules were needed for the region. The Small Tract Act, passed in 1938, provided homesteaders with five acres, requiring only that they construct a dwelling of at least 400 square feet within three years.

For a $5 filing fee and a lease of $1 per acre per year, a person could lay claim to a piece of the desert. If a dwelling was constructed and approved, homesteaders usually could purchase the land for $10 to $20 per acre.

Hundreds of homestead cabins popped up on the landscape after World War II. Even some famous names got involved. Stringfellow said Desert magazine reported that Ronald Reagan applied for a homestead at one time but never built a cabin, so the land reverted to the government.

The cabins were dubbed jackrabbit homesteads.

Stringfellow said the name came from the fact that the local rabbit population would take advantage of the ample shade the cabins offered in the desert heat. As if on cue, as she walked around the corner of another shack, a jackrabbit leaped off into the sparse brush.

“BE BACK SOON”

Some homesteaders made a go of it. Most did not. The result is the half-deteriorated shacks scattered across the landscape. Stringfellow’s photos depict these relics. But while the images are compelling and saturated with color, she purposely avoids any of the mystique that might have drawn the early residents.

“I wasn’t trying to romanticize the cabins,” she said. “I don’t want to do romantic skies and clouds.”

Instead, she wants to intrigue.

“I’m hoping it opens people up to investigating,” she said. “I want people to go out and actually experience the landscape. You don’t have a sense of the scale unless you’re out there.”

Part of the project is a website — www.jackrabbithomestead.com — that contains a map for touring the area and audio interviews with local residents and historians. Stringfellow wants people to understand that the cabins are more than a curiosity, more than a disturbance of the desert vistas.

“Maybe one of these should be made into a monument for the Small Tract Act,” she said. “I hope, at one point, the historical society acquires one.”

Such a monument could tell the history of the homesteads, and perhaps even some of the stories of those who lived there. Although, she said, she’s found more mysteries than stories.

One shack she photographed had remained largely undisturbed since its abandonment. She found shirts hanging in a closet and an old manual typewriter.

“There had been a note posted to the door that was, ‘Be back soon … something, something,’” she said. “It was probably like the last thing that was left there. So this thing has been flopping in the wind for 25 to 30 years, it’s just sort of faded out.”

Such experiences only pique her interest more.

“I think I’ll always be photographing these,” she said. “I never really get tired of looking at them.”

Jackrabbit Homestead
  • ART EXHIBIT: “Tracing the Small Tract Act in the Southern California Landscape, 1938-2008, a project by Kim Stringfellow”
  • WHERE: Culver Center of the Arts, 3824 Main St., Riverside
  • WHEN: June 29-Sept. 28, 2013
  • CLOSING EVENTS: Panel discussion, 3-5 p.m., and reception, 6-9 p.m. Sept. 28
  • HOURS, INFORMATION: 951-827-4787 or artsblock.ucr.edu

Monday, June 24, 2013

100 years later, Stoddard-Waite Monument in Cajon Pass is rededicated

Stoddard-Waite Monument rededication ceremony, held on 05/18/13 at the Stoddard Waite Monument in the Cajon Pass. Group photo with members of the Stoddard, Waite, and Brown families and members of the San Bernardino Historical and Pioneer Society. (Mark Landis)

Nick Cataldo, Correspondent
Redlands Daily Facts


Last month the San Bernardino Historical and Pioneer Society sponsored an event celebrating the 100th Anniversary Rededication of the Stoddard-Waite Monument in the Cajon Pass.

This white obelisk near the truck scales along the 15 Freeway south of Highway 138 on property owned by the San Bernardino County Museum Association, was built to honor the pioneers who came to Southern California in the 1800s. On one side of the monument is the inscription "Santa Fe and Salt Lake Trail, erected by the Pioneer Society of San Bernardino, 1912." On another side, etched on a brass plate, is the inscription "Sheldon Stoddard and Sydney P. Waite came over this trail in 1849 and helped erect this monument in 1912."

Attending last month's festivities were about 50 people, including a group of individuals who had special cause for celebration. This assemblage consisted of descendants of the two men whose names are emblazoned on the monument.

In December 1849 a group of hardy pioneers arrived at this site -- for centuries a Serrano Indian settlement known as Amuscopiabit and during pioneer times as "the Willows" -- with a wagon train traveling from Salt Lake City. The group became famous as the "Death Valley 49ers." Among them were 19-year-old Sheldon Stoddard and 12-year-old Sydney Waite who were traveling with their parents. They all rested at the Willows, after entering the Cajon Pass by way of Coyote Canyon.

This narrow, twisting gorge had been heavily used for pack trains of mules between Santa Fe and Los Angeles during the 1830s and into the 1940s.

By the late 1840s, emigrant parties traveling by wagon departing from Salt Lake rolled slowly down the Cajon. One such caravan was the Jefferson Hunt party who were bound for the gold fields of Northern California.

Many of the wagons had to be dismantled and dragged over the rocky streambed that runs through the narrow Coyote Canyon. Two of the individuals who helped get the wagons through were Stoddard and Waite.

Original Stoddard-Waite Monument dedication ceremony, held on 05/18/1913. In the automobile are surviving pioneers Sheldon Stoddard and Sidney Waite.
The Stoddard-Waite Monument was erected by the San Bernardino Society of California Pioneers, aka Pioneer Society, in December 1912, but for various reasons the dedication was held off until May 18, 1913.

The location was chosen so that "modern-day" motorists traveling along the Santa Fe-Grand Canyon-Needles Highway -- later known as the National Old Trails Road -- could easily pull over and contemplate the history of the trails and roads serving the area.

The 1913 dedication was carefully planned by Secretary John Brown Jr. and conducted by President Silas Cox.

Transportation was arranged in automobiles for elderly participants and a caravan starting at John Brown's residence at Sixth and D streets in San Bernardino drove to the site.

A surprising number of pioneer survivors -- including Sheldon Stoddard and Sidney Waite -- were present.

As part of the program, those two men, along with R.T. Roberds, Mary Crandall, Jane Smithson and George Miller, gave their recollections of the route. Pablo Belarde was the earliest of them all, having arrived from New Mexico by pack mule in 1844.

After Mary Harris uncovered folds of American flags from the monument, Reverend Mark B. Shaw delivered the invocation, De La Montaigne Woodward, Henry M. Willis, Judge Benjamin F. Bledsoe, W.J. Curtis and Joseph E. Rich gave addresses and there was plenty of singing. After the ceremony there was a basket picnic and all had a great time.

One hundred years later to the day, the Stoddard-Waite Monument Rededication of May 18, 2013, also was a rousing success.
Stoddard-Waite Monument rededication ceremony, held on 05/18/13. In the car, all relatives of the Stoddard Family. Front seat L to R: Nancy Armstrong Bob Sleppy. Rear seat L to R: Ginger Urquhart, Donna Fees, Debbie Mcfadden. (Mark Landis)

The activities began at 9 a.m. at the San Bernardino Historical and Pioneer Society's Heritage House at Eighth and D streets in San Bernardino, when President Steve Shaw welcomed everyone and presented a slide show featuring the old "Pioneer Society," followed by a special gift to descendants of Stoddard and Waite.

After everyone convoyed up to the Stoddard-Waite Monument in the Cajon Pass, San Bernardino County Museum Association caretaker Mike Hartless talked about the Indian village followed by my own historical overview of the Willows.

Then, in honor of those pioneers who arrived more than a century and a half ago, descendants of Stoddard, Waite, and other families proudly talked about their ancestors who helped turn the Cajon Pass into an important gateway into Southern California.

Sunday, June 16, 2013

Budget cuts put San Bernardino County Museum on shaky ground

The San Bernardino County Museum has cut eight positions due to a loss of state and federal funding. Further layoffs could endanger the museum s accreditation, county officials said. (Gabriel Luis Acosta/Staff Photographer)

Joe Nelson, Staff Writer
San Bernardino Sun


Supervisor James Ramos is leading the charge in an effort to save jobs and programs at the San Bernardino County Museum, which stands to lose its accreditation due to budget cuts.

The museum lost out on $766,000 in state and federal funding this fiscal year, roughly 50 percent of its projected revenue of $1.8 million, county Chief Executive Officer Greg Devereaux said at a budget hearing last week, when the Board of Supervisors adopted a $4.4 billion budget for the 2013-14 fiscal year.

Ramos said the museum system is a "vital asset" to county residents and tourists, and that it is crucial for the museum to think creatively as the state and federal funding it has depended on for many of its programs dries up.

The county museum system consists of the main museum in Redlands, which is in Ramos' 3rd District, the Victor Valley Museum and Gallery in Apple Valley and seven historical sites in the San Bernardino Valley and the High Desert.

"What we need to do is create a revenue-generating model and work with the museum association and museum commissioners to make sure we're all on the same page with a plan," Ramos said Friday.

He said he'll help arrange meetings with museum officials and the county Economic Development Agency to draft a revenue-generating plan.

"I'm hoping to get this done within the next three months," Ramos said.

The museum initially stood to lose 13 positions, but Devereaux said he was able to save five of them by pulling together $550,000 in "bridge funding," which buys the museum another year to figure out how to generate other sources of revenue.

Devereaux said the museum will probably end the year $500,000 in the red, which means the county would have to dip into its reserves to cover the loss.

The staff reductions will result in significant cuts to services and programs the museum has traditionally provided.

Among the amenities that will be lost are the live animal exploration station in Redlands, educational outreach programs for elementary, middle and high school students, the Museums on the Roads and Geological Sciences programs, and weekend programing.

The museum in Redlands also will no longer have security guards.

County Museum Association President Robert Christman said the museum now has roughly 30 employees, but will definitely lose its accreditation in 2015 if it loses nine to 13 employees.

Accreditation, Christman said, had enabled former Rep. Jerry Lewis, R-Redlands, to secure grants for the museum.

"If we lose our accreditation, all that goes away," Christman said.

Friday, May 31, 2013

Pair of 'geeks' sifts through history for aviation ruins

Peter Merlin and Tony Moore, self-confessed aviation geeks, find and sort through military crash sites in the Mojave as a hobby. They call these weekend expeditions 'aerospace archaeology.'
Tourists scour the Mojave Desert landscape on the lookout for debris from a 1967 X-15 crash near Johannesburg. (Brian van der Brug, Los Angeles Times)

By W.J. HENNIGAN
Photography by BRIAN VAN DER BRUG
Video by DON KELSEN
Los Angeles Times


REPORTING FROM MOJAVE - Peter Merlin trudges through the desert, side-stepping sage brush and creosote until he reaches a spot barren of vegetation. He points out a faint crescent-shaped scar in the earth 100 feet long.

Merlin kneels and scoops up a handful of sand and lets it sift through his fingers, leaving behind three gray pebbles, each no bigger than a quarter.

"See these rocks?" he asks. "They're actually fragments of melted aluminum. This is the impact point where the flying wing crashed, and the crew lost their lives. Right here. This is the incident that gave Edwards Air Force Base its name."

The pebbles were remnants of the YB-49, an experimental bomber that crashed in 1948 carrying Capt. Glen Edwards and a crew of four. His untimely death prompted the military to rename Muroc Air Force Base in his honor.

Finding and sorting through military crash sites in the Mojave is Merlin's hobby and pastime. He and Tony Moore, his partner on these weekend expeditions, call it "aerospace archaeology."

"Living this close to Edwards is like an Egyptologist living in Egypt," Merlin said. "It has been called the 'valley of the kings.'"

The skies above the Mojave Desert are legendary. The first American jet plane flew here. The sound barrier was broken here. Space shuttles returned to Earth here. But less heralded are the failures and crashes, tragic footnotes to these remarkable accomplishments.

Merlin and Moore refer to themselves as "The X-Hunters," a nod to the Air Force's use of "X" in naming experimental planes. Their findings have broadened the military's understanding of Southern California's aerospace history.

"Their value to the office is a great one," said Richard Hallion, a retired official who worked 20 years as an Air Force historian. "In many cases, there was only rough approximation of where the crashes took place."

Despite the vastness of the Mojave, there are few crash sites that Merlin and Moore have yet to find. They have compiled a list of more than 600 locations amid the sun-scorched sand and rock, and so far they have examined more than 100.

Merlin and Moore are unlikely confederates. Merlin, 49, the introvert, is prone to extended pauses when talking. He has a thin Errol Flynn-esque mustache and is known to wear a safari hat and leather jacket with "The X-Hunters" emblazoned on the back.

Moore, 55, is a large, affable man who walks with a metal trekking pole because of bad hips. He grew up in Northridge and has long been fascinated with Edwards, and seems to have a story about any aircraft that was ever built.

They both work at Edwards, but in 1991 the self-confessed aviation geeks were employed at the Burbank airport when they had a conversation about the region's aerospace history. Moore told Merlin he had found the wreckage site of the XB-70, an experimental bomber that collided with an F-104 in 1966.

Merlin was intrigued. But aviation buffs are secretive about the information they have — like fishermen who won't tell where the big ones are — so Moore gave Merlin vague directions to the site: about 12 miles north of Barstow.

The following Monday, Merlin came to work, smiling. He had found the site.

"I was shocked," Moore said. "I must have given him a two-mile area to search through. But he found it, to his credit."

After recognizing their shared infatuation, they decided to team up. When the two men started researching airplane wrecks, they mostly relied on files from the Edwards History museum and a 1993 environmental impact study of the base that listed only 15 sites.

On their first expedition, Moore and Merlin turned to a book written by a former test pilot that documented the crash of Maj. Michael Adams, who was killed in 1967 when the North American Aviation X-15 rocket plane he was piloting broke up at 62,000 feet while traveling at 4,000 mph.

According to the book, the wreckage was located several miles northeast of Johannesburg. But once they arrived at the spot, the terrain didn't resemble what was depicted in the book's grainy black and white photographs.

After several hours of fruitless searching, they decided to head home. As they drove toward U.S. 395, Moore noticed a mountain in the distance that looked like one pictured in the book.

They pulled onto a dirt road and rumbled toward the mountain. More landmarks began to line up. There was a ridge with an outcropping of white rocks near its crest.

They got out of their Jeep and began walking toward the mountain, stopping at intervals to consult the book. Merlin then looked at the ground and saw a piece of weather-beaten metal tubing.

"We're here," he shouted, noticing the ground was littered with more metal fragments.

For two years, they combed over the debris field and recovered 125 pounds of parts, including a warning light that likely glowed in the cockpit while Adams fought to save himself and the aircraft. These items are at the flight test museum at Edwards.

Aircraft crash sites interactive grahic

A memorial now marks the site. It was erected in 2004. More than 60 people, including Merlin, Moore and members of Adams' family, attended the dedication.

"We often approach these sites from a historical perspective," Merlin said. "But there's a human element that lives on. To see the emotional reaction from the family really showed me how much the sites can mean to people."

Among their other finds was the crash site for another flying wing, an experimental bomber constructed of wood, dubbed the N-9M. The plane went down 12 miles west of Edwards in 1943.

The men also located pieces of the Bell X-2, which in 1956 tumbled out of control, killing test pilot Capt. Milburn Apt on impact in the Kramer Hills off the eastern edge of the base.

Seven miles west of California City, they found the location of the NF-104A crash that would have killed Chuck Yeager in 1963 had he not ejected in time. A more recent non-fatal wreck was the X-31 that crashed less than a half-mile from California 58 in 1995.

When a plane goes down in the desert, the military tries to recover as much of the wreckage as possible. Retrieving hefty, hulking pieces is a priority.

Most of the time, Merlin and Moore are searching for smaller parts such as twisted stainless-steel skin, rusted fasteners and fittings, or crushed cowl flaps.

They scan the horizon for glinting metal when they think they're in the right spot. Once they uncovered a part of a tail fin. But finding such items is rare, and often what they think is an aircraft part shimmering in the distance ends up being a Mylar balloon.

"I've seen enough deflated Mickey Mouse balloons to last me a lifetime," Merlin said.

When they do find something that they think they can identify, they take it home and weigh and measure it. They verify the part's authenticity by chasing down serial numbers, inspection stamps or examining a manufacturer's book on the aircraft. After documenting it, they'll donate it to the flight test museum or other institutions. They have written a book about their exploits titled "X-Plane Crashes."

Critics believe that the significance of the men's findings is slightly exaggerated. Raymond Puffer, retired Edwards historian, said their work is more of a hobby than anything else.

Other explorers, like G. Pat Macha, prefer to leave the crash sites intact.

"That's a big issue in this field: To simply take a picture or take the stuff home with you," said Macha, 67, who has identified and documented crash sites in Southern California for 50 years.

Macha, however, appreciates that rather than holding onto what they have recovered, the two men have given their findings back to the base.

Merlin and Moore take pride helping families who have lost a son or a father in one of these fatal crashes.

While standing at the YB-49 crash site that killed Edwards, Moore saw something glimmering in the dirt. He picked it up: It was a star sapphire, perfect except for a slight chip on one side.

The small stone was a mystery until Moore was talking to an engineer who had been on the base the day the YB-49 crashed.

The engineer mentioned that a member of the crew, Maj. Daniel H. Forbes, had been married just a few weeks before the accident. His wife had given him a sapphire ring. The military had found the setting but not the stone.

Moore was stunned: "We found the stone," he said. "We found it five years ago right in the middle of the site.'"

He mailed a photograph of the sapphire to Air Force personnel, who went to visit Forbes' widow.

A half-century had passed since the tragedy. The widow had remarried and at first didn't seem to remember the ring. Then they showed her the pictures.

Without saying a word, she walked to her bedroom and returned with a matching star-sapphire ring in her hand. The stone was eventually returned to her in a ceremony at the Kansas air base that bears Daniel Forbes' name.

"It's unbelievable how many things needed to happen in order for that ring to be reunited with her," Moore said. "It validated all our work."

Aviation buffs sift through history in the desert (Watch the video)

Thursday, May 30, 2013

Mysterious rocks stolen from Death Valley National Park

A roaming rock at Death Valley National Park's Racetrack Playa. (Ben Greenburg / National Park Service / May 30, 2013)

By Louis Sahagun
Los Angeles Times


Death Valley National Park officials are investigating the theft of several of the rocks that mysteriously roam across a remote ancient lake bed known as the Racetrack Playa.

Rocks of various sizes -- from baseball to basketball -- scoot across the 2.5-mile-long, oval-shaped mudflat on the north end of the park, leaving tracks that are straight, curved and even looped. Some tracks extend up to 600 feet.

Geologists theorize that the rocks slide after rain moistens the top few centimeters of the lake bed and a high wind pushes them around.

"We've had more instances of folks taking the rocks," Death Valley spokesman Terry Baldino said. "They don't seem to understand that outside of the Racetrack, these marvelous rocks have no value."

Sunday, May 26, 2013

Victorville museum recreates era of Route 66

Crystal Yulujia checks her cowboy hat as she visits the California Route 66 Museum.

By Sam McManis
Sacramento Bee


VICTORVILLE – They were in their early 20s, hip in that effortless European way. He wore cool shades and a three-day stubble; she bore piercings in all the right places – lip, eyebrow, helix of the ear lobe. They said they were from Pamplona, Spain, but rolled their eyes at mention of the running of the bulls.

Too touristy, the gesture meant.

Yet Borja Marcos and Oihane Almagro were standing in front of one of the West's monuments to touristic diversions – the curio-besotted California Route 66 museum – snapping photos of each other before a giant mural.

All of which perhaps proves the theory that sneering locals just fail to appreciate what visitors embrace as noteworthy, exotic even.

"Route 66 is known well in Spain," Marcos says. "We were in Los Angeles, and we're going to Las Vegas. We wanted to stop."

Well, of course they did.

As Sharon Foster, the marketing director of the California Route 66 Museum in this low-rise San Bernardino County town, happily points out, more than 10,000 visitors a year grace the two-room shrine to a more quaint era of pre-freeway transportation.

"That's a lot of people for little old Victorville," she says.

Foster leads you over to a map of the world, where museumgoers are encouraged to plant a pin in their country of origin. The map is peppered with pins, giant clumps from Great Britain and Eastern Europe. And who knew a two-lane road that reached peak popularity in the 1950s could draw such a contingent from Tanzania and Kenya?

Two tourists from Curidiba, Brazil, Rui Caramori and Palo Rodriguez, are taking smartphone photos of a big blue Pepsi vending machine (10 cents), circa 1940, and ogling roadside billboards from back in the day. They, too, are on their way from Los Angeles to Las Vegas. They, too, just had to stop.

"It's famous," Caramori says. "Much (Route 66) merchandizing in Brazil."

Much merchandizing is on display in the museum, too. You can buy T-shirts, mugs and reproduced road signs – the usual stuff – and even a cool neon wall clock. But it's what's not for sale, the memorabilia, that makes this a must-stop.

Schmaltzy as it may sound, Route 66 once was the heartland of America – or at least one of its major arteries – running through eight states and opening the world of the great Southwest to East Coast city slickers. John Steinbeck, in "The Grapes of Wrath," called it the "Mother Road," leading Dust Bowl refugees from Oklahoma to California.

The road's charms were burnished by Hollywood in the early 1960s with a TV show, "Route 66," in which Martin Milner and George Maharis cruised in their Corvette convertible.

By the late 1960s, however, the interstate highway system was such that Route 66 became something of a sad frontage road, dotted by water towers and motels with missing letters.

People still travel on it. Some make it an annual pilgrimage. Others, like most of the tourists haunting the museum on one recent afternoon, simply take a detour off Interstate 15 and have a look-see.

To Victorvilleans, the museum is a point of pride. Volunteer docents acknowledge there is another museum up the road, the Barstow Route 66 "Mother Road" Museum, but they boast that the Victorville shrine was there first.

"Even as broken as the road is, as bad as the road is, I think it's the mystery of the road that draws people," Foster says. "To visit 2,248 miles, you see it all. (People) go through the plain states, the mountains, the desert to the beach. It's more than a road; you get to see the people element as you go through.

"I've found most of our (international tourists) actually want to travel the road. But we've made it so that everyone can see the kind of stuff exactly as you would've found (it) as you traveled along the road."

Stuff like old gas pumps, a re-created soda fountain diner, a tricked out, hippie/ flower power VW bus, a 1949 five-cup milkshake machine from Sparky's Drive-In in Victorville, old telegraph machines, phonographs, an eight-track tape player with Barry White's "Greatest Hits" cued up, and remnants from what once was a major roadside attraction, Mahan's Half Acre, in Hesperia.

Mahan's was something you won't find off a freeway exit these days. It was a folk-art space doubling as the home of the eccentric Miles Mahan. It featured everything from painted signs of hula girls to bottle trees and a miniature golf course, but closed after Mahan's death in 1997. The Hula Girl and Giant Cowboy wooden cutouts now grace the back walls of the Victorville museum.

Newer items make the biggest splash with the under 4-foot demographic: a bevy of bigger-than-life-size models from the movie "Cars."

The popularity of the 2006 Disney-Pixar computer-animated blockbuster jump-started interest in Route 66, Foster says. In the film, the road is home to "Radiator Springs," which was sadly neglected after construction of Interstate 40.

"Thank goodness, 'Cars' was regarding 66, because that did bring the younger group into us," Foster says. "But I'm the last generation that really traveled the road when it was the primary route getting to California.

"We've lost a generation, some of the late baby boomers, but hopefully, we'll make up for it when the kids want to bring Dad and Mom in here."


CALIFORNIA ROUTE 66 MUSEUM
Location: 16825 D St., Victorville
Phone: (760) 951-0436
Web: califrt66museum.org
Hours: 10 AM-4 PM Monday, Thursday, Friday, Saturday; 11 AM-3 PM
Sunday, Tuesday and Wednesday by appointment.

Thursday, May 16, 2013

Rededication of Stoddard-Waite Monument planned

One of the monuments in the Cajon Pass that visitors will view during a program to rededicate the Stoddard-Waite Monument. (City of San Bernardino)

CONTRIBUTED CONTENT
Riverside Press-Enterprise


The San Bernardino Historical and Pioneer Society will sponsor an event celebrating the 100th anniversary Re-dedication of the Stoddard-Waite Monument in the Cajon Pass on Saturday, May 18.

The monument was dedicated May 18, 1913, to honor early pioneers who came through the pass on horseback and wagon. Sheldon Stoddard and Sidney P. Waite, who traveled through the Pass in 1849, were among those who attended.

The monument sits along the Santa Fe/Salt Lake Trail, near the truck scales along southbound Interstate 15 south of Highway 138, on property owned by the San Bernardino County Museum.

Saturday’s activities will begin at 9 a.m. at the society’s Heritage House at Eighth and D streets in San Bernardino, when President Steve Shaw will welcome the group and present a slide show on the history of the Pioneer Society.

At 9:30 a.m. there will be a presentation to descendants of Stoddard and Waite.

At 10 a.m. the group will begin a convoy to a 1917 monument on Wagon Wheel Road in the Cajon Pass, from which they will walk 300 yards to the site of the 1913 monument.

At 11 a.m., San Bernardino County Museum caretaker Mike Hartless will talk about the Indian village and burial ground, followed by San Bernardino historian Nick Cataldo, who will talk about the history of the site, including the Inman Ranch. Stoddard and Waite family members also will speak.

At 12:30 a.m., after a no-host lunch break, the group will hear from historian Richard Thompson about the 1917 monument and the Brown Toll Road. Historian John Hockaday will talk at 1 p.m. about Camp Cajon.

Afterward, the group will walk up the toll road to see the bridge piers for Crowder Canyon, and drive to the Upper Toll House site.

Email Yankeenut@excite.com or call 909-709-3792 for more information.

Tuesday, April 30, 2013

Oh the Places You'll Go: 38,000 Historical Maps to Explore at New Online Library

The Digital Public Library of America announces the addition of a vast treasure trove of maps.

A map from Joseph and James Churchman's 1833 volume "Rudiments of National Knowledge, Presented To The Youth Of The United States, And To Enquiring Foreigners" (David Rumsey/DPLA)

Rebecca J. Rosen
The Atlantic


More than three decades ago, David Rumsey began building a map collection. By the mid-90s he had thousands and thousands of maps to call his own -- and his alone. He wanted to share them with the public.

He could have donated them to the Library of Congress, but Rumsey had even bigger ideas: the Internet. "With (some) institutions, the access you can get is not nearly as much as the Internet might provide," Rumsey told Wired more than a decade ago. "I realized I could reach a much larger audience with the Internet."

Bit by bit, Rumsey digitized his collection -- up to 38,000 maps and other items -- along the way developing software that made it easier for people to explore the maps and 3D objects such as globes online. Today, the Digital Public Library of America announced that Rumsey's collection would now be available through the DPLA portal, placing the maps into the deeper and broader context of the DPLA's other holdings.

"I am very excited to have my digital library of historical maps added to the DPLA," Rumsey was quoted as saying in a DPLA press release. "Maps tell stories that complement texts, images, and other resources found in the growing DPLA library."

To see exactly what this means in context, click on any one of the 38,142 results that come from a search for "David Rumsey." Once you've clicked through to, say, this 1838 globe, you'll notice a little module on the right (I've put a screenshot of it here as well) that invites you to "view on timeline." Click there and you'll arrive at a page with all of the DPLA's other materials from that year.

In addition, Rumsey's maps will now be available through the DPLA's API, meaning people who are creating location-based apps will be able to tap into the historical resources of the collection.

The DPLA, as with much of its "holdings," doesn't actually hold anything at all -- rather, they use Rumsey's metadata to make it all searchable and accessible through DP.LA, but when it comes time to look at an object up close, you'll be linked over the David Rumsey's own site. It's not about what the DPLA has so much as how it presents and connects what is already out there.

As DPLA executive director Dan Cohen told me earlier this month, "By bringing them together, I think we're also in a sense making those collections much more usable. When people come to the website, first of all, they'll be able to find a lot of content that exists out in smaller archives and collections much more easily. They won't have to go to hundreds or thousands of websites to find this amazing, unique scanned content from America's heritage and, indeed, from the world's."

Tuesday, April 23, 2013

MITCHELL CAVERNS: Seeing state budget cuts up close

Mitchell Caverns are in the the Providence Mountains of eastern San Bernardino County (Mark Muckenfuss/staff photo)

BY JANET ZIMMERMAN
Press-Enterprise


California’s budget crisis hit me full-force recently when I realized Mitchell Caverns in the Mojave Desert’s Providence Mountains State Recreation Area are closed indefinitely.

These unique caverns, developed as a private tourist attraction in the 1930s, are not someplace I go often — I’ve only been there once. But on our spring break vacation in the desert, my husband and I wanted to take our children to see the caverns’ stalagmites, stalactites and other limestone formations.

We called, but the phone went unanswered. A little research turned up the reason.

The Providence Mountains State Recreation Area was closed in January 2011, along with 69 other state parks; 208 parks remain open. The area, which is within the boundaries of the Mojave National Preserve, became a state park in 1956.

According to the National Park Service, which includes notice of the closure in its newsletter for the Mojave preserve, said there were serious problems with the water system at the caverns, which coincided with state budget cuts.

The closures were necessary to meet $11 million in funding cuts that year, and $22 million this year, state officials said.

Sad to think, the only way my children may ever see this desert treasure is on video.

Thursday, April 11, 2013

Monument on Route 40 nearing 85th anniversary

The Madonna of the Trail monument on
Route 40 near Beallsville turns 85 this year.
By Chris Buckley
Trib Live

Notices on the front page of the Saturday, Dec. 8, 1928, edition of The Charleroi Mail touted such bargains as Brunswick talking machines at the Schroeder Piano Company and fresh country eggs at 45 cents a dozen at Alfieri Poultry.

But the major headline was this: “Dedicate Pioneer Madonna Statue Today At Nemacolin.”

The story under that banner recounted the first of two major events heralding the dedication of the Madonna of the Trails monument on Route 40 between Beallsville and Richeyville. The area statue, which will mark its 85th anniversary later this year, is one of 12 monuments dedicated to the spirit of pioneer women in the United States.

Mrs. John Trigg Moss of St. Louis, chairwoman of the National Society of the Daughters of the American Revolution's National Old Trails Committee, was the featured speaker at a banquet Friday, Dec. 7, at The George Washington hotel in Washington, Pa. Hosted by the Washington County Chapter of DAR, the event served as a prelude to the unveiling of the Pennsylvania monument scheduled for 2 p.m. Saturday at Nemacolin Country Club.

The banquet, according to The Charleroi Mail, was “one of the most successful and enthusiastic affairs of the kind ever held in Washington.” In addition to representatives of the Washington County Chapter members from the Monongahela Valley and Canonsburg chapters also participated in the festivities.

Mrs. N. Howland Brown of Norristown, state regent of Pennsylvania DAR; Mrs. Lowell Fletcher Hobart, a former state regent of Ohio and at present a national officer; Mrs. William H. Alexander of Monongahela, state vice regent-elect of Pennsylvania, and Margaret Barnett of Markleton, were among the honored guests at the speakers' table.

Among the longtime members of the Washington chapter in attendance were Dr. Louise J. Lyle of Mount Pleasant Township and Margaret Bureau of Washington.

The Washington County chapter was organized in 1892 and was recognized as being the third oldest in the state. Bureau became a member in July 1893, and Nancy J. Hall, regent of the chapter, presented her with a rose for each of the 35 years she had been a member.

Music for the banquet was furnished by Virginia Aley, pianist; Alma Headley, violinist; Harry Miles, violinist, and Paul E. Harding, violinist, all members of the Washington High School orchestra.

Hall called upon the honored guests and others who had taken a prominent part in securing the Madonna monument for the county for remarks. In introducing James. P. Eagleson of Washington, she referred to him as the “one person, very sincere and very earnest in the work, without whose efforts there would have been no Madonna of the Trails statue in Washington County.” She said Eagleson “has been the one person who worked untiringly from the very beginning and afterwards when defeat seemed certain ... he never stopped and was never discouraged and finally overcame every obstacle thrown in the way of securing the Pennsylvania monument for the county.”

The Madonna of the Trail monuments were commissioned by the National Society of DAR and located in each of the 12 states along the National Old Trails Road (Route 40), which extended from Cumberland, Md., to Upland, Calif.

The monuments were created by sculptor August Leimbach and are designed as a symbol of the “courage and faith of the women whose strength and love aided so greatly in conquering the wilderness and establishing permanent homes.” As noted on the Internet encyclopedia, Wikipedia, the statues feature a pioneer woman cradling a baby with her left arm and holding a rifle with her right hand. Her young son clings to her skirts.

In addition to the Route 40 monument, which is located directly across the highway from the main entrance to Nemacolin Country Club, other statues in order of their dedication are in Springfield, Ohio, Wheeling, W.Va., Council Grove, Kan., Lamar, Colo., Albuquerque, N.M., Springerville, Ariz., Vandalia, Ill., Richmond, Ind., Upland, Calif., and Bethesda, Md. The area monument was the 10th to be dedicated in the series of ceremonies in 1928 and 1929.

Harry S Truman, who would become U.S. president in 1945, was president of the National Old Trails Association at the time of the dedication of the initial Madonna monument on July 4, 1928, in Springfield, Ohio. Speaking at that event, he praised the pioneer women this way:

“They (the women) were just as brave or braver than their men because, in many cases, they went with sad hearts and trembling bodies. They went, however, and endured every hardship that befalls a pioneer.”

In addressing the audience in Washington, Eagleson emphasized that “it was team work” that brought the Pennsylvania monument to Washington County. He recalled the Fifty-Fifty Club, which made possible the greater of the money necessary, and he referred to it as “the most unique club ever formed.” Membership, he said, was limited to 50, each of whom donated $50. The 50 members were in all parts of the county and were subscribed in less than 10 days. When the membership pay was closed, Eagleson said, it was found that there were exactly 25 men and 25 women in the group.

“Its work has been completed and the list of members will be placed in the member box in the back of the statue to be opened in 50 years,” he said, adding that each member was invited to be present at that time.

A large crowd attended the dedication ceremonies on Saturday, Dec. 8, 1928, filling the clubhouse at Nemacolin Country Club to capacity. The event was held indoors because of the threat of inclement weather. The only part of the program that took place outside was the actual unveiling of the monument, which required only a few minutes.

National, state and county leaders of the Daughters of the American Revolution attended the ceremonies including Mrs. William H. Alexander of Monongahela, state vice regent-elect and former regent of the Monongahela Valley chapter. Others were:

Mrs. Alfred J. Brosseau, president-general of the National Society DAR; Mrs. E. Howland Brown, Pennsylvania regent; Mrs. John Trigg Moss, chairman of the Old Trails Committee; Mrs. Lowell Fletcher Hobart, candidate for president-general in the 1929 election; Margaret Barnett, also a candidate for national office; Mrs. Robert Reed, former state regent of West Virginia; Mrs. J.W. Endsley, regent of the Great Crossings chapter; Dorothy McNary, Canonsburg regent; Ethel Boughner of Uniontown, former state officer; and Washington County chapter regent Nancy J. Hall.

Eagleson, who again was lauded for his efforts in bringing the monument to Washington County, presided during the ceremony.

Appreciation also was extended to Charles E. McGinnis, president of Nemacolin Country Club, for his enthusiastic work in securing the donation of land from the club for the monument after the site had been selected by the National DAR organization.

Eagleson explained that the site for the monument had to be on the National Road (Route 40) and he finally selected the knoll near the entrance to the country club. He said McGinnis was “very receptive” to the idea and “in a short time the approval of the board of directors was secured and a deed for the site was given by the club.”

The Charleroi Mail called the site “beautiful ... far better than any that could have been secured in Washington.”

“Standing on the summit of a hill, facing the historic old National Road, over which the pioneer mothers traveled a hundred years and more ago in covered wagons with their husbands, seeking new homes in the wilderness of the ever receding far west, it may be seen by the tourists of today for several miles in both directions,” the newspaper said. “On the grounds opposite the Nemacolin Country Coub has been erected a large flood light, which will be turned on the statue every night, so that it will be seen by persons traveling after dark.”

Thousands upon thousands of travelers have viewed the Madonna of the Trail monument near Beallsville since that dedication nearly 85 years ago.

The massive statue, which stands 10 feet high and with its base towers about 18 feet above the highway, has been refurbished and rededicated several times over the years. Members of the Washington County and Monongahela Valley chapters of DAR have been, and continue to be, committed to its preservation and the spirit and courage it symbolizes.

That tradition is continuing today with another restoration project that includes landscaping and installation of railings on the steps leading to the statue.

Mary Holets of Monongahela, a director of the Monongahela Chapter DAR, said plantings of new trees and shrubbery will “enhance the appearance” of the area around the monument.

“The landscapers began their work before Christmas and it is hoped that everything will be completed by June,” said Holets, a 50-year member of DAR. “Like everything else, the workers were at the mercy of the weather during the winter.”

Holets emphasized that all Pennsylvania chapters of the DAR support the restoration projects with financial contributions for the upkeep of the monument.

“The statue certainly has endured the weather and other conditions since it was originally dedicated in 1928,” Holets said. “It is very symbolic, of course, and especially meaningful because it is one of only 12 such monuments in the United States. The state DAR and all of its member chapters are dedicated to perpetuating its significant place in history.”

Deborah L. Davis of the National Pike Chapter in Washington is the state DAR regent and will lead a rededication of the monument that is likely to take place when the current restoration is completed.

Sunday, April 7, 2013

Rare visit to the Mitchell Caverns

Naturalists from the SCV push back the desert to earn a rare visit to the now closed, historic, cave

Deep in El Pakiva Cavern are numerous formations over which the imagination can take flight. One docent saw in this formation “A woman with a flowing gown with crossed arms and a Poodle’s head.”

By Jim Harris
Santa Clarita Valley Signal


It nearly takes my breath away.

Billowy, white cotton candy clouds march eastward, covering the top of Fountain Peak; its red sentinel spires pushing through feathery cloud-fog.

Descending the mountain are wide, uneven strips of crimson, gray and green; rhyolite and limestone.

“See the three layers?” asked Brian Miller, organizer of our trip to the currently closed Mitchell Caverns in the Providence Mountains State Recreation Area.

“The gray band—that’s where the caves are,” he says.

The caverns are opened to us in exchange for work to push back the Mojave Desert at the Mitchell Caverns Visitor’s Center.

Brian Miller, an employee of the state parks system, enticed his fellow docent/naturalists from Santa Clarita with the chance to be the first in three years to descend into the limestone caverns in exchange for pushing back the encroaching desert.

More than 20 volunteers from Placerita and Vasquez Rocks Nature Centers drove up to the remote site, 116 miles east of Barstow on Highway 40 for the chance to go into the deep, historic caverns.

The volunteers spent hours rooting out desert vegetation that was pushing into buildings, as well as intruding on concrete walkways and planters at the Mitchell Caverns Visitor Center.

“I’m tired,” said Laneita Algeyer, school trips coordinator at Placerita Nature Center. She and her husband Bill are veteran hikers who haunt places like Mitchell Caverns, looking for the historic and the unusual all through the West.

Jim and Toni Crowley brought a wheel barrow and extra tools in their pickup. They haul out the vegetation when the work ends.

Exhausted after hours of work, and a hearty lunch including soup provided by Sue Wallendar, the Placerita/Vasquez group was fired up once more when Miller announced, “Time for the Caverns.”

Suddenly, a Grounds Keeper appeared to lead us into the cave. So remote are the caverns in Fountain Peak that he had to turn on a generator to provide lighting for us as we descend into the caverns. The Caverns are off the grid.

We followed a craggy, rocky trail under Fountain Peak’s red spires, dug into the Mountain’s gray limestone band. On the left the trail plunged hundreds of feet below.

But, we were safe with a solid chain guard rail installed during the heyday of park building after the state park system took possession of the Caverns.

The safety rails were among many improvements Jack Mitchell, the original owner of the caverns, could not have imagined when he ran tours there on his own property.

Mitchell started the tours during the Great Depression of the 1930s.

Mitchell played at mining, but what he really excavated was the imaginations and spirits of people who wanted to see and experience unique and mysterious works of nature.

And in that spirit, as we descend into the caverns, many among us gasped as the lights turned on. The upward lighting cast strange shadows on bizarre, outlandish limestone formations.

“Breathtaking,” said Dolores Olson, fellow docent/naturalist.

Stalagmites, stalactites, shields, helictites, draperies, curtains and popcorn form intricate, sensational formations that illuminated our imaginations. Like children looking at clouds, we could see in our mind’s eyes that which are not there.

“Do you see the Queen washing her face in the basin, her hair hanging down?” asked the caretaker as he pointed to a complex formation of curtains, and stalactites in a section of the Caverns known as “The Queen’s Chambers.”

“Those formations will continue building. This is a living cave, when it rains,” continued the Grounds Keeper.
He pointed to a single trickle of water hanging on the end of a stalagmite, and then down at a tiny stalactite exactly below the motionless drip. This is at the beginning of our descent into the Caverns beginning at El Pakiva, “The Devil’s House” Cavern.

“This is how the formations grow over the years,” said the Grounds Keeper.

To me it was fantastic to think that such a small thing will grow like the enormous formations surrounding us as we continued.

Through El Pakiva we continue down state constructed steps, a far cry from the days when Mitchell and his visitors had to wriggle and climb over and around rocks and boulders.

After El Pakiva, we move in single file through the “Solution Tube” and are stopped abruptly at “The Pit.”
Here, in the 1930s, Mitchell dropped flares which would slowly go out, never to be seen again, said the Grounds Keeper.

“Jack (Mitchell) called it the ‘Bottomless Pit’,” smiled our guide. “It’s not bottomless; it’s about 40 feet deep.”
In those days the tour had to stop, go back, wriggle again through the entrance and walk the trail to the second cavern, Tecopa, named after one of the last Shoshone chiefs.

Now, there is a bridge and an opening to Tecopa, both built by the state.

There was also air-lock doors between the two caverns to eliminate a steady draft that blew through the caves once the state connected them together.

Archaeologists have found the remains of prehistoric animals, including a pre-historic sloth in Tecopa Cavern.
Throughout these caves there is evidence of Native-American life. The caverns were a sacred place for the Chemehuevi Indians, and a number of tools and fire pits have been found.

The Chemehuevi people called the caves the “the eyes of the mountain” because of their double entrances located near the top of Fountain Peak Mountain.

Much later, Jack Mitchell owned the caves (from 1934 to 1954) and operated them as a tourist attraction and rest stop for travelers on nearby U.S. Route 66. He held mining rights to the area and mined several holes and tunnels, which can be seen today.

In 1956 the caves became a state recreation area.

“They are an island of state owned land within the federal Mojave National Preserve,” said Miller.
The Caverns were closed in 2011.

Like the closing of Mitchell Caverns, we ended our tour as we emerge from Tecopa Cavern into the sunlight of Fountain Peak Mountain, and thread back along Jack Mitchell’s old cavern trail, sadly leaving behind our fantastical experience.

And back to our normal lives in the Santa Clarita Valley.

Friday, April 5, 2013

Volcano House

Volcano House (Katie Kland)
By Sherri Cruz
Orange County Register


Chapman University has repurposed numerous historic buildings, but a spaceship-style home perched 150 feet atop a volcanic cone?

"We've never quite encountered a house like this," said Kris Olsen, vice president of campus planning and operations for Chapman University.

"The architectural design feels like Austin Powers meets George Jetson," Olsen said.

See more Volcano House images

The home, known as the Volcano House, was a gift to Chapman from the late Huell Howser, who hosted and produced the "California's Gold" travel series on PBS.

Chapman's plans for the Volcano House include poetry gatherings for faculty and students, artist retreats, and astronomy and biology studies.

The house is set on 60 acres in the Mojave Desert, where silence and starry nights reign. It has a 360-degree glass perimeter – 24 glass doors that can be opened to the desert breeze when the weather is suitable.
Inside, a circular stairway leads to a stargazing deck on the roof.

Making the property even more spectacular is a spring-fed lake at the foot of the volcanic mountain.
Olsen has been directing the restoration of the property, which started in earnest last spring and recently concluded.

The home's bones were good, but the property had some deferred maintenance and needed some minor interior fixes.

"We drained the lake and put a new clay bottom in it," Olsen said.

Chapman refurbished the electrical, sewer, heating, ventilation and cooling systems.

Aday Architects in Glendora was tapped to spruce up the interior, while keeping the midcentury architecture intact.

Even the shag rug in the sunken living room was replaced with a new one.

"We found a carpet mill that produces shag and replaced it with similar shag," Olsen said.

"It's in good function for accommodating people now," Olsen said.

In the future, Chapman plans to add dormitories at the base of the volcanic mountain to accommodate large groups for overnight stays.

Howser's gifts to Chapman stemmed from a friendship that was struck between Howser and Chapman's President Jim Doti.

It began with a note Doti wrote to Howser.

After Doti watched a "California's Gold" segment on Old Towne Orange, he invited Howser to the campus. "When I saw it, I was disappointed that he didn't come visit the Chapman campus," Doti said.

Howser took Doti up on the invitation and visited the campus a few months later.

It was love at first sight. "He just fell in love with Chapman, the spirit of the place and the people," Doti said.

Doti was one of a handful of people who knew that Howser was terminally ill.

Howser kept his illness private.

What many people didn't know – not even Doti – was that Howser was the owner of the Volcano House. That mystery was revealed when Howser put the home on the market a few years back for $750,000.

People who knew Howser knew him as a longtime resident of the El Royale Apartments in Los Angeles.

Howser also owned a couple of other homes, but rarely used the Volcano House. He bought the Volcano House on a whim, Doti said.

"I think he bought more of a work of art than a home," Doti said. "He was really into aesthetic kinds of things," he said. "His homes were literally art museums."

Doti found out about Howser's uncommon dwelling during lunch with Howser at the Filling Station Cafe in Old Towne, a couple of blocks from campus.

By that time, Howser had already been working diligently with Armando Diaz in Chapman's media services to digitize and archive his TV segments.

"Huell was a stickler about quality, perfection, having it done right," Doti said.

While they sat on the Filling Station's patio, Doti asked about reports that Howser was the owner of the Volcano House.

According to Doti, Howser said something like: "Oh yeah, I bought that 10 years ago. I hardly ever used it, but I fell in love with the place. Why? Do you want it?"

Doti didn't know if he wanted it. He asked about it only because he was intrigued by the house itself.
But Howser was serious, Doti said.

Howser thought it would be wonderfully serendipitous if the house he bought on a whim could be used for educational purposes.

"He said it would be a culmination of something that was meant to be," Doti said.

With Howser's offer, Doti checked in with Chapman's chancellor, Daniele Struppa. Struppa sent a memo to all the deans at Chapman, asking if they could use the property.

"Without exception, all of the deans said 'Yes,'" Doti said.

Doti called Howser and told him the ideas. "He was pleased. It was his dream."

Howser took the home off the market. Then he took Doti and Olsen on a grand adventure to visit it.

They all met at Peggy Sue's 50's Diner (where there's a sandwich named after Howser) near Calico Ghost Town. From there, they drove 20 minutes along a gravel road. "All of a sudden you see – standing alone – this volcano-shaped mountain," Doti said.

"As you get closer, you see the structure on top of it. It looks literally like a flying saucer landed on the top," he said.

"It's surreal," Doti said. "It's truly surreal."

In addition to the Volcano House, Howser gave Chapman nearly 1,000 TV segments, his book library, the proceeds of the sales from his two other desert homes (now designated for scholarships) and his "found art" collection that adorned his homes.

Monday, March 4, 2013

Old Spanish Trail Association chapter formed in Barstow

Last November, Old Spanish Trail Association Chairman Mark Henderson directs workshop participants in principles of trail identification and stewardship near where historians believe the old trail lies along the Interstate 15 in Barstow. (Staff photo, Brooke Self)

SHEA JOHNSON
Desert Dispatch


BARSTOW • A local Old Spanish Trail Association chapter is a reality as the 11th one in existence has officially started in Barstow, according to inaugural President Tim Baggerly.

The chapter formed Friday, made up of volunteers who help to preserve the trail and educate the public about it.

The trail, a successful 19th century trade route connecting New Mexico and California, runs through Barstow.

Becoming official allows the chapter to tie into relationships with federal agencies such as the Bureau of Land Management, California Department of Fish and Wildlife, and state and local parks, said Dennis Ditmanson, the Old Spanish Trail Association manager.

Those relationships could also hold funding implications, Ditmanson explained.

This past weekend, Old Spanish Trail Association representatives from outside Barstow — the association is active in six western states including Arizona, New Mexico and Colorado — came to the Mojave River Valley Museum to meet with local chapter members and federal agency partners for their spring national board meeting.

Reba Grandrud, president of the Old Spanish Trail Association, said she was pleased a chapter now existed in the area.

“Having (a chapter) here is really important,” she said, “to be right on the trail.”

The Barstow chapter consists of 36 members. There are approximately 450 members of the association nationally, Ditmanson said.

Aside from 10 national chapters, the Old Spanish Trail Association boasts a chapter in London as well.

The Barstow chapter of the Old Spanish Trail Association will next meet Saturday at the Mojave River Valley Museum. Members of the public are invited to join.

For more information, contact Tim Baggerly at 760-954-7488 or baggerlyt@aol.com, or call Pat Schoffstall at 760-256-0006.