Indian Wells moving forward on Carl Bray tribute

A sign from the now-demolished Carl Bray gallery and home along Highway 111. (Photo: Xochitl Peña/ The Desert Sun)

Xochitl Peña
The Desert Sun

A huge wooden painter's palette that stood along Highway 111 in Indian Wells and served as a tribute to Carl Bray's artistic contributions will be resurrected.

City officials plan to use either a replica of the memorable landmark or restore the original one that's now in storage to create an historical monument.

"It is an iconic sign," said Jan Holmlund, an adviser to the Indian Wells Preservation Foundation. "It is something that means a lot to a lot of people,"

The famous palette sign, which also let people traveling east on Highway 111 know they are close to the edge of the city limits, came down in 2010 after the city purchased the property and demolished Bray's gallery and home.

Since then, leaders have discussed — but never formalized — ways to honor the desert landscape artist.

The Indian Wells City Council last week finally set that vision in motion by approving a concept for the monument, one of three scenarios that HSA Design Group presented.

City leaders indicated they wanted two curved stone walls with plaques mounted on the walls, showcasing the history of the city and Bray. The wooden palette sign also will be showcased prominently near its original location.

"It is the last remnant of the old village of Indian Wells. This was the historic beginning," said Adele Ruxton, president of the Indian Wells Preservation Foundation.

The plans also includes natural stone benches, green space and the addition of the smoke trees, which Bray favored in his art.

The site is accessible from a public sidewalk. Public parking nearby will not be provided.

Councilwoman Mary Roche said she can envision walking maps with directions to the monument being handed out to guests at the city's local resorts.

"I think this concept would be a wonderful addition to our city," she said.

While Bray is best known for his art, Roche said he also is considered a founder of the city and its commercial area.

According to Ruxton, Bray's neighbors back in the day included "a few cabins, a dance hall, two small grocery stores, two gas stations, a café and … a rattlesnake pen."

Bray bought that property along Highway 111 in the early 1950s for $1,000, which used to be the location of a Cahuilla village and was said to house an Indian well.

Bray sold the land around 2000, and moved to Banning. The 94-year-old died in 2011. The city in 2009 purchased the property in a foreclosure.

The city decided to demolish the buildings on the property because they were run down and deemed a safety hazard.

But because of the land's historical significance and ties to the Cahuilla Indians, an environmental impact report required an "interpretive exhibit" related to Bray as "artist, railroad man, builder and last resident of Old Indian Wells Village."

Development of the monument is expected to cost more than $30,000. The council has asked HSA though to look at revisions that could reduce the cost.

Indian Wells plans for Carl Bray monument revived

The former Carl Bray House & Gallery building prior to its demolition in Indian Wells. Bray, known for his desert landscapes, bought property along Highway 111 in Indian Wells in the early 1950s. The city bought the land in 2009. (Omar Ornelas, The Desert Sun)

Xochitl Peña
The Desert Sun

INDIAN WELLS – Talk of creating a monument along Highway 111 to honor the late artist Carl Bray — in the spot where his home and gallery used to be — has taken place for years.

But recent renewed interest in the idea has the Indian Wells City Council taking up the subject during a study session next month.

Adele Ruxton, president of the Indian Wells Historic Preservation Foundation, hopes this time, the project will actually happen.

“It’s time. It’s like ‘OK let’s get something done.’ It’s something that has been on the (list) of things to do and then something else comes up,” she said.

On Aug. 21, the council is expected to provide direction to staff on the design of the monument, said Warren Morelion, the city’s community development director, via email.

“Once staff receives direction, it will go through the normal entitlement process. The plan is to get the project construct(ed) by next summer,” he said.

The city has been talking about an “interpretive exhibit” at the location where Bray’s home and gallery used to be since at least 2010.

Bray, known for his desert landscapes and most notably his paintings of the wispy smoke tree, bought property along Highway 111 in Indian Wells in the early 1950s for $1,000. His neighbors at the time included a few cabins, a dance hall and a couple businesses.

As Indian Wells developed, Bray’s paint palette sign and misshapen landscaping started to look out of place surrounded by golf courses and gated communities, but the property’s historic significance could not be ignored.

The property used to be the site of one of the largest Cahuilla villages in the valley.

Bray sold the land in about 2000 and moved to Banning. He died in 2011 at the age of 94.

Ruxton knew Bray personally, and visited him at least once a month after he moved.

“He had a great sense of humor. If you met him for the first time you would think, ‘I’ve known this man for my entire life,’ ” she said.

The city purchased the 14,148-square-foot former site in January 2009 for nearly $260,000 claiming the structures on the land posed a “safety hazard.”

The home and gallery were eventually demolished, causing debate between the city and those who wanted to see the buildings preserved.

Ruxton wanted the structures saved.

“That should be turned into something historic,” she said of the now-vacant site.

The historic preservation foundation will meet with city officials next month to talk about the monument, as well.

What had been envisioned, she said, was a monument worked into the landscape that bicyclists or walkers could access. There would be no place for people in cars to park, she added.

In 2012, city staff had anticipated costs of about $35,000 for the monument. Morelion said the city recently directed up to $65,000 for the project.

Resident Denny Booth believes even $30,000 is too much for the city to spend, especially at a time when funds are tight.

He thinks there are much cheaper options available.

“Put up a boulder with a bronze plaque,” he said.