Showing posts with label mining. Show all posts
Showing posts with label mining. Show all posts

Friday, September 8, 2017

Preserving local history in Daggett

The old Stone Hotel in Daggett will become home of the new Daggett Museum. (James Quigg, Daily Press)

By Davina Fisher
Desert Dispatch


DAGGETT — After a 13-year hiatus, the Daggett Historical Society is planning on opening the Daggett Museum by the end of this year.

In 2004, the museum made national headlines after thieves made off with several Native American artifacts — one of which included a basket appraised at $3,500. The museum has been closed ever since.

Fast forward to 2017. The Daggett Historical Society has been making efforts to revamp significant buildings in town, including the museum.

“We’ve spent the last two years rebuilding and getting it ready for open-to-the-public status,” said the current president of the Daggett Historical Society, Daryl Schendel. “The purpose of the museum and the society is to not only preserve the history, but to make available to people the significance of Daggett and people who have lived there.”

In the late 1800s, Daggett was a major transportation and supply center for mining districts — most notably the town of Calico, which produced over $20 million in silver ore over a 12-year span. Rich silver deposits were found in the Calico Mountains six miles north of Daggett and in 1882 the Calico camp began to boom as the Silver King mine came into full production. During this time, mills and processing plants were constructed on the Mojave River near Daggett.

In 1888, the Calico railroad was built to connect the mine with the Santa Fe main line at Daggett in order to more efficiently move the ore from mine to mill. In 1891, more than 100 tons of ore from the Silver King mine and 50 tons from the Waterloo mine were hauled daily to be processed at the Oro Grande Milling company near Daggett.

During this same period the borax rush, in 1883, hit Calico. By 1902, Daggett was supported by three borax mines employing 200 men and had three stores, three saloons, two Chinese restaurants, a railroad, a drug store, a lumber yard, and the old Stone Hotel. The production of borax in San Bernardino County was at its peak in the year 1902, when the total value was just over $2 million. It has been estimated that borax taken out of the Calico Hills had a value of more than $9 million.

The museum has photos, tools and clothing on display to tell Daggett’s story.

“In each display cabinet there is something new unique,” said Schendel. “History on John Daggett, the river, fish pond, the stamp mill, the Daggett ditch — all things that played a big part in the area.”

The museum will initially be open on a limited basis, once a week. The Daggett Historical Society also plans to hold events at the museum. There isn’t an admission fee, but donations will be accepted.

“More stories are coming out since a lot of the families that live there are direct descendents of the pioneers of the town,” said Schendel. ” We want to bring back Daggett’s significance and history before it’s lost totally.”

For more information about Daggett, visit http://www.daggetthistoricalsociety.org/.

Sunday, July 24, 2016

Randsburg: Living ghost town is a Mojave Desert treasure

A sign hangs on a building in Randsburg, CA, Thursday, July 14, 2016. (Photo by Jennifer Cappuccio Maher/The Sun/SCNG)

By Michel Nolan
The San Bernardino Sun


It happens suddenly. You’re traveling along an endless stretch of the Mojave Desert, and like you’ve noticed a hundred times before, the U.S. Highway 395 road sign comes into view, pointing left at the turnoff to the town of Randsburg, a two-minute drive on an unpaved road.

The sky is a brilliant blue, the July heat hasn’t risen yet, so you decide to try it and take the path less traveled.

Within three minutes, you’ve left the parched expanse and arrived more than a century back in time.

Could your eyes be playing tricks on you?

Is this a desert mirage?

You are on Butte Avenue, the main thoroughfare in an Old West town that looks like an authentic Old West town.

Welcome to Randsburg, a desert gold-mining town that struck it big more than a century ago.

On a recent Thursday, staff photographer Jennifer Maher and I set out for a Randsburg adventure and were delighted with the town and its inhabitants, who were friendly and eager to share stories of their living ghost town.

The area’s mining operation, at its peak between 1895 — when gold was discovered — and 1933, took out more than $60 million in gold profits from the earth.

There truly is “gold in them thar hills.”

As gold became scarce, however, so did the people, and the 1896 boomtown that sprang up overnight was no more.

During the area’s “Gold Rush” era, the population mushroomed to nearly 4,000, but has now dwindled to about 50 hardy souls.

Greeting us at the edge of town was the weathered wood facade of an aging Post Office, which bears the skull of a steer, along with the ominous words, “End of the Trail, Randsburg, CAL.”

The General Store, just two doors down, looked friendlier so we decided to check it out.

We were hooked. Randsburg had us, reeling us in.

Built in 1903, the Randsburg General Store/Soda Fountain/Restaurant is a purveyor of fine provisions, necessities from pancake mix to soup, Clorox to mousetraps. The store serves fresh coffee, as well as restaurant menu choices and its famous soda fountain phosphates.

The focal point of the store is the 16-foot marble-topped soda fountain with stained-glass cabinet doors.

According to one story, the soda fountain was carried from Boston on a clipper ship around Cape Horn, arriving in the desert in 1904. Another story claims it traveled from Boston via mule train and arrived about the same time.

General Store owners Brad Myers and Carol Dyer, who moved to Randsburg part time from the San Fernando Valley and took over the store on July 1 of this year, are enthusiastic entrepreneurs.

“We wanted to get out of the rat race,” said Carol, a former legal secretary who has been dirt bike riding up here for 40 years.

So, three years ago, they started a T-shirt company in Randsburg, MadInk Designs; then, they opened up the MadInk Motorcycle and Surf Shop next door and the Hole in the Wall Antique Store down the street, and finally the General Store.

They envision a thriving future in the dusty little town.

“We want to keep our history, but we want to expand to keep it alive,” Carol said.

“Randsburg is a mecca for motorcycle riding and other off-road vehicles,” said Brad, who admits he tells everybody to call him “Pitt.”

Folks don’t forget his name, he says with a smile.

Brad begins his day fixing breakfast, and then goes out and sits on the yellow line in the middle of the street to have his coffee and bagel.

Where else can you do that?

A former fabricator, Brad also rides motorcycles and he reports the influx of desert riders and campers within a 20-mile radius reaches about 190,000 during Thanksgiving weekend.

The little town is jumping.

The hospitable couple learn local history from the old timers who come in.

Randsburg has more than its share of colorful characters.

The aroma of fresh morning coffee lures Ron Bush, 75, a Randsburg resident for 30 years, and Gary Gearhart, 67, of Johannesburg, a town a few miles away.

Ron, a native of New York, worked for Wells Fargo, also working security in nearby Boron at the Borax plant and the solar fields.

Gary, who worked in Boron at the Borax plant for seven years, was a heavy equipment operator. He later spent 29 years in Mojave.

Obviously, desert lovers.

While Jenn and I sipped our lime phosphates, the old-timers talked about mining borax in the nearby mines at Boron and how the 20-mule teams, made famous in ads for borax soap, hauled the borax in old wooden-wheeled wagons through the rough terrain, across Trona Road, to California City and over to Mojave.

The trip took one month in 1872.

They talked about “the old days,” the people who have come and gone and the changes in the town, which are few because the townspeople want to keep the character of Randsburg authentic.

There is pride here.

The elementary school and high school are gone, but an elementary school still stands in Johannesburg, two miles away.

The old hospital is also gone, so locals go into Ridgecrest for medical needs.

Many of the homes that look ancient on the exterior have been remodeled and are comfortable and clean on the interior.

According to Ron, residents get their water from three wells dug at the end of town.

Air conditioning is so expensive that residents opt for swamp coolers to keep them comfortable in the summer’s brutal heat, which is usually in the triple digits.

Winter temps are the other extreme — dropping way below freezing, and occasionally blanketing the desert in snow (drought permitting).

With spring comes the wildflowers: lupines, primroses, sand verbena.

There is no cable TV service here, so residents have satellite dishes. As for Wi-Fi, there is none.

While it’s not an easy way of life, it’s somehow simpler.

The scattering of eclectic homes ranges from those built into the hills, to a few ranch homes to others patched with old wood and corrugated metal.

There is also a sprinkling of outhouses dotting the landscape.

Along the street are the Opera House, the White House Saloon, the Randsburg Inn (which has lodging and lots of antiques), The Joint saloon (a former bakery), the Randsburg Museum, a barbershop and the “Goat Sky Ranch,” bed and breakfast owned by Goat Brecker, an old Supercross racer from the ’70s and ’80s.

There are two churches in town — Methodist and Catholic.

Up a winding road is the original jail, last occupied (according to Brad) by two ladies who had too much to drink, got into a gunfight, and fortunately, in their inebriated state, couldn’t shoot each other.

They each had a cell in the two-cell adobe jail.

This fascinating place is real — not Hollywood — and it’s technically a ghost town, but don’t tell that to its inhabitants, who number about 51 — give or take.

If Randsburg looks like a scene from some old Western, that’s because it has been — TV commercials, movies from “Hidalgo” with Viggo Mortensen to “Chopper Chicks in Zombietown,” starring Billy Bob Thornton, have been filmed in the area.

We enjoyed our adventure and the Old West charm of the place, returning richer without even looking for gold.

Friday, April 15, 2016

Providence Town Site nominated for federal historic designation

Ruins of the Bonanza King Mine (darthjenni)

By Jose Quintero
Desert Dispatch


SAN FRANCISCO — The Providence Town Site near the defunct Bonanza King Mine and Mitchell Caverns is one of 11 nominations to be considered to the National Register of Historic Places on Monday.

The California State Historical Resources Commission will consider the nominations for federal historic designation during a quarterly meeting in San Francisco at 1 p.m. on Monday.

Providence Town Site is an 81-acre district in the Providence Mountains in the Mojave National Preserve.

California Office of Historic Preservation officials say the buildings and structures in the Providence Town Site are “almost in a state of ruin.” the buildings and structures at the site comprise a nearly intact village near the Bonanza King Mine, a former silver mine, located roughly 100 miles east of Barstow.

“Practically all of the buildings and structures dating from the period of significance remain in place and are further connected by the town’s original road and trail system. The property is significant in the areas of settlement, commerce, transportation, architecture and archaeology,” the nomination reads.

The California Office of Historic Preservation is responsible for administering federally and state mandated historic preservation programs to further the identification, evaluation, registration and protection of the state’s “irreplaceable resources.” The mission of the California Office of Historic Preservation and the California State Historical Resources Commission is to provide “leadership and promote the preservation of California's irreplaceable and diverse cultural heritage,” the website reads.

The meeting is scheduled to be held at the Golden Gate Club’s Ventana Room, located at 135 Fisher Loop in San Francisco.

Sunday, November 29, 2015

Pioneer monument to be dedicated at St. Helena Cemetery

A monument to honor pioneer John Searles will be dedicated on Dec. 5 in St. Helena.

Register Staff
Napa Valley Register


The public is invited to attend the dedication of the new monument honoring mining pioneer John Searles at St. Helena Cemetery on Dec. 5 at 10:30 a.m.

John Searles was an early California pioneer, arriving by ship in San Francisco in the spring of 1850. After mining gold for 23 years, he discovered that what had appeared to be just salt and mud, was in fact the largest mineral deposit in California. He began mining borax at his discovery. Today, mining of that deposit continues after more than 140 years, and today a variety of products in addition to borax are extracted.

In his honor, his mineral deposit was named Searles Lake.

Despite his importance to California, when Searles died on Oct. 7, 1897, in St. Helena, he was buried two days later with only a curb surrounding his plot marked with his last name. His grave provides no information as to who he was, or what he accomplished.

The St. Helena Historical Society, the Searles Valley Historical Society and several private individuals are erecting a proper monument at his grave.

Napa Marble and Granite Works helped design the marker with historic details from Searles Valley Historical Society. Donations have been collected since 2014 for the $8,000 project. Donations came from Searles Valley Historical Society, with major gifts from Jim and Bonnie Fairchild, Searles Valley Minerals Inc., Searles Lake Gem and Mineral Society and the Death Valley 49ers Club.

Kim Taylor, a Searles Valley native, realized at the Trona (Searles Valley) Centennial Celebration in 2014 that the founder’s grave was unmarked. Taylor, who now lives in Roseville, spearheaded the effort.

Descendants of John and Mary Searles, plus representatives from Searles Valley and St. Helena historical societies, will attend the Dec. 5 dedication at the cemetery, at 2461 Spring St. The dedication is rain or shine.

For information, contact the St. Helena Historical Society at 707-967-5502 or by email shstory@shstory.org, or the Searles Valley Historical Society at 760-372-5222 or tronamuseum@verizon.net.

Thursday, July 16, 2015

Con artist builds a crooked road in Death Valley

Feb. 9, 1969: Death Valley naturalist Dwight Warren checks a portion of Titus Canyon Road, which had been closed by a cloudburst. This photo by staff photographer Frank Q. Brown was published in the Feb. 21, 1969, Los Angeles Times.

Posted By: Scott Harrison
Los Angeles Times Framework


The history of Titus Canyon Road was explained in a May 22, 1977, Los Angeles Times article by staff writer Charles Hillinger:

DEATH VALLEY NATIONAL MONUMENT – It is undoubtedly the longest one-way, no-other-way road in the country.

The 27-mile road winds its way west through a scenic gorge in two states – California and Nevada.

It is so narrow in spots there is barely enough room for a car to squeeze between the 500-foot-high sheer limestone walls that rise spectacularly from the canyon floor.

Titus Canyon Road is, for good reason, the least used of nine roads into Death Valley, America’s hottest and driest place.

Its 27 miles are miserable, none of it paved, strewn with dirt and rocks.

The road was built by a con artist who pushed it through the canyon in 1925 to provide access to one of the most notorious mining hoaxes of the century.

It was in Titus Canyon that Chauncey C. Julian “salted” the Grapevine Mountains and spawned a town near Bloody Gap he called Leadfield.

He proclaimed the hills in “his” canyon were alive with pockets and veins of lead, and published brochures showing ships steaming up Death Valley’s Amargosa River to the mouth of Titus Canyon to take on ore.

The Amargosa River is bone dry.

In March, 1926, Julian ran a 15-car “Leadville Special” train from Los Angeles to Beatty, Nev., for 340 investors – 24 of them women – to visit their diggings. The investors were driven from Beatty through the winding gorge to Leadfield in a caravan of cars.

A hotel, stores and homes were built in Leadfield. But the town lasted only two years. There was a post office from August, 1926, until February, 1927.

Then the bubble burst.

Julian skipped the country and fled to Shanghai where he committed suicide in 1934.

A handful of decaying structures still stand at Leadfield on the Titus Canyon Road, named after Morris Titus, a miner who entered the narrow canyon to do some prospecting in 1906 and never was seen again.

It gets so hot along the road that the National Park Service closes the canyon from mid-May to mid-October – so that nobody gets stranded and perishes in the scorching sun.

Tuesday, April 21, 2015

Oatman History: A trip into the past

Author Jackie Rowland-Murray, president of the Oatman Historical Society and vice president of the Arizona Historical Route 66 Association, gave a talk highlighting some of Oatman’s most colorful historic moments on Saturday at the Laughlin Library. “I’ve spent so much time researching the area’s history, I’d feel bad if I didn’t use what I’ve learned,” Rowland-Murray said. “I enjoy all of it.” (DK McDONALD/The Daily News)

By DK McDONALD
Mohave Valley Daily News


LAUGHLIN — For some, history is the chronicle of a society’s evolution. For others, history is blueprint for the future.

“I get upset when schools don’t teach history,” said historian and author Jackie Rowland-Murray. “If you don’t know what the history is, it is going to repeat big-time and not in a good way.”

President of the Oatman Historical Society and vice president of the Arizona Historical Route 66 Association,
Rowland-Murray spoke on some of Oatman’s most colorful historic moments Saturday at the Laughlin Library.

Rowland-Murray’s 90-minute presentation traced Oatman’s history from the first known contact with Native people by Spanish Franciscan friar Francisco Garces, to its birth in the early 1800s to the present day. With emphasis on events such as the Oatman Massacre and the kidnapping of Olive Oatman, Rowland-Murray also related stories of the Rose-Bailey Massacre, Beale’s road expedition on the 35th Parallel and the region’s gold mines that produced $40 million in gold.

“I’ve heard her speak before,” said Elsie Needles, president of the Colorado River Historical Society and Museum. “She wrote a great book on the history of Oatman. She is so knowledgeable and a really good speaker.”

The public history lesson was presented in partnership with the Colorado River Historical Society and Museum. Rowland-Murray, the author of “Oatman: History, Recipes & Ghost Stories,” said she enjoys sharing history for its own sake.

“I’ve spent so much time researching the area’s history, I’d feel bad if I didn’t use what I’ve learned,” she said. “It’s information that just begs to be shared.”

Rowland-Murray‘s research has resulted in a variety of subjects to present, she said. Including the Oatman history lecture, she offers presentations on how women lived in the 1800s, on Olive Oatman’s life, and two presentations on the “Strong women of the Colorado River,” split between women from Yuma to this area of Mohave County, and northern women, covering women from the Grand Canyon to the northern state line.

“I also have a presentation solely on mining,” said Rowland-Murray. “That one made me nervous, because the first time I presented it was to a room full of prospectors.”

The mining stories are her favorite to relate, she said.

“Mining in Oatman is a real interesting story,” Rowland-Murray said. “It had huge effects on the area, the state and the whole world.”

The presentation didn’t stop with the camels, the burros, the gold or the massacres. Rowland-Murray made the connections between Oatman’s history and the present day.

“Oatman sees more than 400,000 visitors every year, some tracing the history of Route 66 and some who want to see a bit of the Old West,” Rowland-Murray said. “Oatman has never legally been designated a town, although during its heyday it boasted a population between 8,000 and 10,000 people. Oatman is classified as a roadside attraction which makes it difficult to get some things done.”

The 2000 census found 128 residents in Oatman.

“We’re different,” Rowland-Murray said. “It’s a small and quiet community. There is no grocery store. There is no school. There’s no gas station, either, although a couple guys keep extra 5-gallon cans in their backyards in case of an emergency. We like to say, ‘If you need it, we don’t have it.’ But people are drawn here. It has a rich history. It’s interesting.”

Friday, February 27, 2015

The Lost Dutch Oven Mine

Tom Schofield

By Mark Gutglueck
San Bernardino County Sentinel


The Lost Dutch Oven Mine is one of the most famous lost mines in California and likely the most famous of those in San Bernardino County. The tale is a rich one, with several variations, as is often the case with lost mine legends. Some of the particulars are verifiable, and indeed it seems very likely the mine actually existed and may yet be out there, waiting to be found.

In 1894, Tom Schofield was working for the Santa Fe Railroad at the Danby watering station. In those days, trains pulled by locomotives carried enough coal to go more than half way across the country, but needed to constantly replenish their water stores as the steam used to power the locomotives was lost at a rapid rate. At the extreme end of San Bernardino County were six watering stations along the Santa Fe line, named in reverse alphabetical order after the track came west across the Arizona border: Goffs, Fenner, Essex, Danby, Cadiz, Bolo and Amboy. Schofield manned the Danby station. His job was to maintain the apparatus from which the water for the steam engines that rolled down the track were supplied.

The Danby station’s water came from what is known as Bonanza Spring located in the Clipper Mountains, which was claimed by the Southern Pacific Railroad in 1893. The railroad company had constructed a four-inch pipe running from the spring to the Danby Station. That pipe continued to provide water to Danby until it was replaced by a well near the station in the 1930s.

Trains travelled on strict schedules and Schofield was free to roam about the area around Danby during the hours when no trains were due. On occasions, at that time, as long as a day-and-a-half or two days might pass without a train passing through the six watering stations.

Schofield, who was then 42, one day had noticed during his sojourn to the spring in the Clipper Mountains that there was what appeared to be a long neglected, indistinct trail leading off to the side of the mountain where the spring was located. On one of the days when there was a long gap between trains into Danby, he resolved to follow the faint path to see where it would lead him.

Here the story begins its deviation.

According to one version, he hiked some distance, coming upon a recently abandoned miner’s camp. He then continued up a steep bank and scaled the edge of a narrow shale wall, before arriving at a mine shaft of some depth with sides well boarded up by old railroad ties. In this version, he sensed, based upon its appearance, that the ore on the tailing pile next to the shaft was exceedingly rich. However, it was getting on in the afternoon and so he decided to stay the night at the small miner’s camp below. In the morning, he happened to kick the lid off of an old Dutch oven located near the fire pit and from that old pot gold ore “rich-to-the-eye” spilled onto the ground. According to this version, he gathered up as much of the ore as he could carry and headed down the mountain and back to Danby.

Another version is that on his trek that day he was about three miles up the side of the mountain when he came upon a long abandoned stone house. He continued on, hiking what he later reckoned was about nine more miles when he came upon a spring. He followed a trail from the spring leading over a hill at the peak of which was a rock or boulder he described as being the size of a house. The boulder was split in two and the trail continued straight through it. Beyond this passageway he encountered what appeared to be an old Spanish camp.

Shortly beyond this he found himself upon on a high shelf, surrounded by high walls. Through other openings in the rock walls, he could see that the “shelf” was sitting high above the ground at about 500 feet. The only way in or out of the little flat was through the split rock. Scattered about the long deserted camp, Schofield found rusty mining tools, pots, pans, fragments of a bedroll, and an old iron Dutch oven.

Also on the shelf was a mine shaft, in which he found the skeletons of seven burrows (sic). Next to the shaft was a mine dump that contained numerous stones still containing rich gold quartz. Night was approaching, and he bedded down on the shelf planning to leave at daybreak. In the morning, as he was leaving, he tripped over the Dutch oven and out tumbled a mound of pure gold nuggets. He gathered up the gold nuggets, and fashioning a makeshift pack from one of the side packs found next to the burro carcasses, carried out as much of the ore as he could manage.

A third version is that he hiked for some distance, passing through a huge split boulder and came upon a wooden cabin with a hitching post, in front of which were the carcasses of several dead burros. In the cabin were the skeletons of three or four humans. Also in the cabin was a Dutch oven. When he kicked the top off the oven, he saw it was filled with rich gold ore. Outside the cabin and not too distant from it, a mine had been dug between ten and fifteen feet into the side of a hill. He retrieved several gold quartz samples from this mine, and was able to easily pull them from the wall of the mine using just his hands. He used the canvas burro side packs to carry as much of the ore and nuggets back with him to Danby.

Schofield caught the first train into Los Angeles.

How do we know that one of these three versions or some order of a combination thereof is true? Because records show that Tom Schofield had testing done on the ore he had with him. Those tests showed that the ore in the Dutch oven had indeed a very high gold content and that the ore he had personally removed from the mine was also quite rich. For just the nuggets and ore he had been able to carry with him, Schofield netted over $200,000. In just two years, he spent all of his newfound wealth gambling, on liquor and fast women.

Two years later, he headed back to the Clipper Mountains, searching, searching, searching, for what he had stumbled upon. He was never able to find it. Schofield spent the rest of his life, essentially, as a prospector. He worked claims in the Old Woman and Turtle Mountains. He mined salt in Danby Dry Lake for a time. He even mined for iron ore in the Marble Mountains and prospected in other locations between Essex and Amboy. Beginning around 1920 and for a few years he held an interest in the Iron Hat Mine located about twelve miles east of Amboy in the Marble Mountains.

In the 1930s and into the 1940s, when he was in his 80s and early 90s, he was still wandering around Danby and the Clipper Mountains, seeking the Lost Dutch Oven Mine.

In 1936, while he was living in an abandoned store outside Danby, Schofield was interviewed by Walter H. Miller and George Haight. The gist of that interview formed the basis for much of what we know today as the Legend of the Lost Dutch Oven Mine.

There is no record of the Dutch Oven Mine ever having been found again. The Clipper Mountains are located just south of Interstate 40 and the Clipper Valley, between the freeway and National Old Trails Highway, northwest of the small community of Essex. The range is home to at least three springs, as well as the Tom Reed Mine. The Danby Station is located about 1.6 miles southeast of Highway 66 on Danby Road.

Wednesday, December 10, 2014

A Chicken Magnate's Quest to Revive a Desert Ghost Town

Photo from "The Silence and the Sun" by Joe De Kehoe, courtesy of Martha Burnau and Sally Carlos.

by Matt Blitz
Curbed Network


In the middle of October, the Mojave Desert is cool by desert standards. The wind is so strong it's hard to stand up straight. The air is so dry that thirst is a constant. Dust, rock, and sand get into every crevice. Few brave living here.

Eighty years ago, though, this desert was alive with trains, people, stores, cars, gas stations, and cafes. Many of those buildings are still here, but only a few are occupied. By the mid-20th century, there was no longer enough to live here for. Not enough trains or cars passing through. Not enough commerce to sustain a community. Not enough committed citizens to reinvent the towns. The buildings were left as they were, as if the former occupants had every intention of coming back. The mostly-wooden structures still stand, swaying with the wind, baking in the heat, and collecting dust.

The Mojave Desert is filled with these ghost towns, places like Essex, Baghdad, Ludlow, Chubbuck, and Goffs, all teetering on the edge of existence. They inspire questions about our responsibility to abandoned buildings. Do we just let them rot away? Do we continue to hope that people will come back? Is preserving the past a noble cause or a fool's errand?

Amboy, one of the many wind-blown towns of the Mojave left to fade away in the sun, has changed ownership numerous times with no one able or willing to put in the work to revive it. In 2003, Amboy was listed on Ebay for $1.9 million. There were no takers and the property entered foreclosure. In 2005, at a much-discounted price, it finally landed in the hands of a Southern California chicken magnate, Albert Okura, who committed to reviving the town. Nine years have passed and Okura remains steadfast in his commitment. But the future of Amboy is up in the air, swirling around with the dust and sand.

Amboy's official birth year was 1883, but it was actually settled in 1858, when prospectors came to claim the hills' iron ore. According to an 1877 map (right) drawn up by Lieutenant J.C. Mallery of the U.S. Army Corps of Engineers, a road established in these years connected Amboy to the Dale mining district.

It is not exactly clear why the settlement was named "Amboy." As the railroad established water stops in California, the communities were named in alphabetical order from west to east, stopping at the Arizona state line. Amboy was the first.

Seven years later, in 1865, the Southern Pacific Railroad Company was founded with the goal of establishing rail service from San Francisco to San Diego. The company did just that, but its goals were much loftier. Beginning in 1862, the Pacific Railway Acts promoted the construction of a transcontinental railway through land grants and government bonds. The Southern Pacific Railroad Company took full advantage of these government handouts. By 1884, through land grants, bonds, company consolidation, and leasing of other railroads, the "mighty" Southern Pacific reached New Orleans (a route nicknamed "the Sunset Route").

Southern Pacific promised to build at least twenty miles of rail per year beginning in 1870. Construction fell behind, but on June 22nd, 1883, the Southern Pacific Railroad finished its 223 miles of rail connecting the Mojave Desert to Needles, California, allowing the giant steel beasts known as locomotives to pass through the desert.

At first, Amboy was nothing more than a water and repair stop for the trains. Amboy didn't have a bank or a fire department, though a two-room wooden schoolhouse was built in 1903. (Western railroad towns, in general, tended to be unimaginative in design and created for the sole purpose of catering to the railroad worker and self-sufficiency.)

Other communities in the Mojave, like Ludlow or Essex, were different from Amboy. They became 'blow-off' towns for the thirsty, recreation-starved miners who had to deal with alcohol-free mining camps. With their abundance of pool halls, saloons, and brothels, communities like these lived off of workers' vices. Amboy, though, got a boost from the discovery of a natural resource. This resource wasn't found in the mountains, but at the bottom of Bristol Lake.

That resource was salt, or calcium chloride. Drilling a water well in 1910, the railroad company had discovered that the water contained 10 times as much salt as the ocean. The Pacific Cement Plaster Company had already built a mill in Amboy in 1904 to process the gypsum at the bottom of Bristol Lake, and the salt offered another revenue stream. By 1914, mining in Bristol Lake for both salt and gypsum was at its height. Mills, worker residences, and even saloons were hastily built in the nearby town of Amboy. But like all booms, this one was short-lived. Over-mining and discovery of other salt deposits in easier-to-reach places forced all the mills to close by 1924. Amboy began to deteriorate, just like the other towns of the Mojave Desert.

Other problems followed. On October 29th, 1929, "Black Tuesday," the stock market lost nearly thirteen percent of its value. The subsequent Great Depression decimated the railroads. The Tonopah and Tidewater and the Ludlow and Southern line, other famed desert railroads, were ripped up by 1935. The mighty Southern Pacific, bigger and more financially solvent than its competitors, continued to operate and was still turning a profit until the late 1940s, but the end was nearing for even the strongest of the locomotives.

But the invention that came next, the automobile, revolutionized the way Americans traveled and breathed new life into Amboy.

In 1927, Cyrus Avery (right) and the newly formed US Highway 66 Association convinced Congress to establish a well-maintained, easily passable interstate highway from Chicago to Los Angeles. Construction began on US 66 that same year and all 2,448 miles were paved by 1938. Route 66 was built specifically to follow the railroad, which had carved a clear path, both in infrastructure and notoriety, through the southwest. The road was built nearly parallel to both the Southern Pacific and Santa Fe railroads. For this reason, Amboy was included on the route.

During the mid-1930s, with the Depression at its height and the dust storms wrecking havoc across the Midwest, thousands of people traveled the newly-built Route 66 in search of a better life elsewhere. As immortalized by John Steinbeck in The Grapes of Wrath, Route 66 was "the path for people in flight, refugees from the dust."

Amboy flourished, hitting its peak right when the Depression was at its worst. The permanent population jumped to nearly 200 people. Three gas stations, two cafes, three motor courts, four garages, a post office, a church, and a school were built, all with colorful signs and enticing offers (air conditioning!) to lure in visitors.

If Amboy was an oasis in the middle of the desert, then Roy Crowl was mainly responsible for its reemergence. Working as a railroad line operator a few miles down the road in Saltus, he noticed the rise of car traffic and decided it was time to go where the people were. He moved to Amboy and built Roy's Garage. The desert roads were rough on cars and thus made Roy's the busiest place in town. Soon, Roy realized that waiting customers got hungry, so he built a café. Auto parts weren't always available, so travelers had to wait, sometimes overnight. Luckily, Roy also built a motel.

Roy's Motel & Café has since become a Route 66 legend. Opened in 1938 by Roy and his wife Betty, along with their son-in-law Buster Burris, the motel has five cabins with a café next door. Roy did so well with his properties that he was able to buy Betty, a trained pilot, a runway left over from the 1920s. Propeller planes still land on this runway (in fact, Harrison Ford made an unscheduled stop there in the mid-2000s). Roy and Betty retired in 1959, leaving Roy's in Buster's name. Buster traveled to Los Angeles for design ideas and renovated Roy's in the style he observed there. The Roy's sign still stands over the town of Amboy, its retro-future look harking back to another era.

On June 29th, 1956, Dwight D. Eisenhower signed into law the Federal-Aid Highway Act. He called it "the greatest public works project in the history of the world." It is said that a cross-country trip that would have taken twenty days in 1950 would now only take four.

For Amboy, it was another death sentence. Route 66, with its twisty, turning road and lower speed limits, would become obsolete. And so would the small towns that populated the road. By 1964, the concrete had been poured for the new super highway, Interstate 40, and cars were bypassing Amboy and the other Mojave towns. Life again screeched to a halt in the desert.

Today, Amboy feels more forgotten than dead. The landscape is still dotted with rubble, but there are signs of life. A dog barks in the near distance. Some of the houses are lived in. RVs and trailers along the side of the road provide traveling homes for a few. An estimated 15 to 20 people live here year-round. On nice days, like this one in October, cars pass through, stopping for a picture of the most photographed sign in the world. The trains still huff and puff occasionally on the outskirts of the town.

But Amboy is still very much on the mind of Albert Okura. In 2005, Okura bought the town of Amboy from Buster Burris' ninety-year-old widow for $425,000. She had better offers, but Okura had cash and a promise. Okura explained over the phone, "I told her I am going to keep it pure."

Okura grew up in Wilmington, only a few miles from Long Beach on the coast of southern California. His first job was at a Burger King in 1970. Fourteen years later, Okura opened his own fast-food restaurant with an uncle in San Bernardino County (about 55 miles from Wilmington)—a Mexican rotisserie chicken place called Juan Pollo. Today, there are 27 locations throughout Southern California. Okura purchased the site of the very first McDonald's in San Bernardino County in 1998, which was run by the McDonald brothers in the 1940s before Ray Kroc bought out their company. He turned the site into the corporate offices of Juan Pollo on one side and a McDonald's museum on the other. On the surface, the McDonald's site purchase makes more sense than Okura's decision to buy Amboy, but Taylor Louden, a preservation architect who helped Okura with Amboy, describes Albert as a benevolent collector. "Things just find their way to him. He's sort of a one-man orphanage."

When Amboy appeared on Ebay in 2003, a friend who knew of his tendency toward collecting alerted Okura. The price was too high, but Okura, believing it was "his destiny" to own Amboy, kept checking in until the number came down. Okura immediately went to work cleaning, repainting, and preserving the town. In the nine years he has owned it, he hasn't knocked anything down, and the only thing he's built is a small storage shed. He has simply tried to keep the town afloat. Okura reopened Roy's, not as a motel or café, but as a gift shop with hopes of turning it into "an authentic Route 66 diner" someday. Okura hired a few people living in town to work shifts at Roy's. He was able to bring back gas to two pumps (a third was already functional). Okura and Louden even gave Amboy a clever nickname, "the ghost town that ain't dead yet," in hopes of attracting tourists. Despite all of this hard work, Okura admits the task is tougher than he thought. Okura explains he never had any delusions of making money off of Amboy itself; the value for him was promotional, "if I keep it pure, functional, historically accurate, than me and my company…get recognition."

Still, he tells me that he spends upwards of $5,000 a month on staffing, keeping gas flowing, and general maintenance. It took two years to get electricity because "Buster, the great man that he was, did his own electric work and it wasn't up to county codes." Okura says he loses money on his investment on a yearly basis.

Despite Okura's best intentions, Amboy sits in a state of suspended life. The old cabins that still stand off to the side of the former café have a decently fresh coat of paint but are a mess inside. A "Keep Out" sign blocks off visitors from the rest of the cabins behind Roy's. The giant white church down the road (built about the same time as the new school) is empty inside, save for a single ghostly chair delicately placed at a piano, as if waiting for someone to play it one more time.

Amboy illustrates the difficulty of preserving the past. Towns like Amboy must adapt or die in a kind of Ghost Town Darwinism. Although Okura has no plans to demolish any buildings in Amboy, perhaps that should be an option. If no one wants to live there or turn it into a useful property, why expend energy and resources preserving something that provides very little, if any, value back?

Before I leave Amboy, I wander into Roy's. Thirsty from the Mojave, I pick up a bottle of water and approach the man at the cash register, whose name is Kevin. I ask him how business is today ("Not bad. A guy and his girlfriend on a motorcycle was just here about twenty minutes ago."), tourism in general ("We get a lot more people from Europe and Asia, than Americans"), and if he lives in town (he does, in a room inside of the café). And then I ask Kevin the question: is Amboy a ghost town? His answer: "I live here and I'm alive. So, this town ain't dead yet." But for how long?

Wednesday, April 23, 2014

Roger Naylor's Arizona: Chloride

Check out the extraordinary murals of artist Roy Purcell, splashed across a jumble of boulders just outside Chloride. (Photo: Roger Naylor/Special for the Republic)

Roger Naylor
Special for The Republic


You never know what's going to happen when you travel. On a recent afternoon with the faint scent of lilac on the breeze, I was gunned down in the streets of Chloride.

Minutes later, I was scrambling from boulder to boulder in a rocky canyon, jockeying for the best view of vibrant murals splashed across big granite outcroppings. Painted by Roy Purcell in 1966 and then repainted by Purcell and family members 40 years later, the 2,000 square feet of eye-popping color and thought-provoking images held me spellbound.

Before leaving town, I cruised the streets admiring the quirky collection of metal sculptures, painted bowling balls, bottle trees, stacked mining tools, stuffed-animal dioramas and other strange displays. Although no one knows exactly how it started, Chloride is a thriving hub of yard art.

If you aren't familiar with Chloride, don't beat yourself up. It's under the radar of many travelers. Founded in the early 1860s, it is one of the oldest continuously inhabited mining towns in Arizona. The cluster of weathered buildings huddles along a dead-end road at the base of the Cerbat Mountains.

The first time I rolled into Chloride, I had no idea what to expect. It felt like I was in the middle of nowhere. I stopped in at Yesterday's, a restaurant and saloon, and asked what kind of beer they had. The bartender cocked an eyebrow and said, "You want me to name all 175?"

Annual events in Chloride include a Jimmy Hoffa Birthday Bash, soap-box derby races for adults and a townwide yard sale. But most of the time, it's ridiculously quiet. Chloride makes Mayberry look like the Las Vegas Strip. When I want to escape whatever hustle and bustle momentarily rules my life without going on a long backcountry hike, I head for Chloride.

It wasn't always like this. After silver chloride was discovered in 1862, mines sprang up throughout the region. The Butterfield Stage and the Santa Fe Railroad came through town. The population topped 2,500 during the boom years. About a tenth of that number resides there today.

The "former mining town" label applies to dozens of rural Arizona burgs. They evolve new identities or disappear. Yet, Chloride still seems to be weighing its options. Historical buildings remain, a smattering of shops comprises a small commercial district and a gunfight generally breaks out at high noon every Saturday.

The Immortal Gunfighters of Chloride, a re-enactor group, built Cyanide Springs in 1997, a ramshackle replica of an Old West town smack in the middle of Chloride. Using only hand tools, either because they strove for authenticity or because they were drinking, depending on who tells the story, they peeled aged lumber from nearby mines and slapped together the rustic town within a town.

Although one side of the street of Cyanide Springs is false-front structures, the other side consists of historical gems that include the Silver Belle Playhouse, a former vaudeville theater, and an old miner's house now preserved as the Jim Fritz Museum. Both buildings are more than 100 years old.

It was while watching Chloride's last remaining re-enactor group, Longcoats and Lace Gunfighters, that I got pulled into the action. They recruited a couple of folks from the crowd for their final skit. My part consisted of taking a fall in the dust during the shootout. It was a role I had perfected in my childhood of playing cowboy. As guns roared, I clutched my chest, did a pirouette, staggered into a modified triangle pose before collapsing, pushing to my knees and crawling a few inches on my elbows, then collapsing for a final time to what I'm sure were sobs and mournful wails.

After the smoke cleared, I lingered awhile in case anyone wanted my autograph. No doubt intimidated by my artistic intensity, the crowd kept a respectful distance. So I jumped in my truck and headed for the murals.

In 1966, Purcell worked as a miner in Chloride. When not scratching for ore, he painted a set of murals called "The Journey ... Images From an Inward Search for Self" on towering slabs of granite. The murals launched Purcell's celebrated artistic career.

I've spent a good deal of time over the years trying to decipher all that I see painted across the rocks — the writhing serpent, the ancient symbols, a rising goddess, the town dwarfed by a giant taloned foot. Like all good art, the murals slap you around a little.

Even Purcell wasn't sure what he created. He wrote, "Finally in September 1966, I stood paint-splattered, ragged and tired on the rocks across the canyon to view the finished work. I understood only remotely what had erupted so violently out of myself. I felt more like an aged Samson with a sun-bleached jawbone in my hands than an artist with a paintbrush."

Chloride isn't for everyone. Windshield tourists will be bored by this speck of a community hanging on in the high desert. The town has two restaurants, one modest adobe motel, a general store and a few shops with chancy hours. Your best bet to catch everything open is to show up on a weekend. But the key is to get out and walk around. Talk to the characters who call Chloride home. You'll get lots of great stories. Nobody lives here because of the convenience.

Visitors are welcome in Chloride, but they're not fawned over. It's up to us as travelers to fit into the languid rhythms of an authentic small town. I, for one, like that very much.

Chloride

Chloride is 227 miles northwest of central Phoenix. Take Interstate 17 north about 23 miles to Arizona 74 and go west for 36 miles to U.S. 60. Go 11 miles northwest to Wickenburg, then take U.S. 93 about 110 miles north to Interstate 40. Go west about 25 miles into Kingman, then take U.S. 93 northwest about 18 miles to County Road 125. Go east for 4 miles to Chloride.

What to see

Roy Purcell murals: Drive east on Tennessee Avenue. The pavement ends at the edge of town, then it's 1.3 miles on a dirt road that's rough but passable for most cars. Painted arrows and signs guide you. Ancient petroglyphs are on the opposite side of the canyon from the murals. For more information on Roy Purcell's art, go to www.purcellgalleries.com.

Railroad depot: The old railroad depot and former jail are still standing but there are no signs to either. Get a map and directions at Mineshaft Market, perhaps the smallest tourist-information center in the state. 4940 Tennessee Ave. 928-565-4888.

Shootouts: Longcoats and Lace Gunfighters conduct mock gunfights at noon most Saturdays. Check in at Ye Ol Shoppe, an ice-cream and souvenir shop attached to Cyanide Springs. 4942 Elkhart St. 928-565-5032.

Movie: A 30-minute movie about Chloride is shown in the Silver Bell Playhouse upon request. There is no charge, and Ye Ol Shoppe provides free popcorn.

Where to eat

Yesterday's: Enjoy fine dining in a casual atmosphere, with a menu that features everything from juicy burgers to osso buco. There's an impressive beer selection. Live music on weekends draws folks from surrounding towns. Historian Mark Hall-Patton will give a free lecture on the history of the region from 3 to 5 p.m. Saturday, June 21. 9827 Second St. 928-565-4251, www.chlorideaz.com.

Digger Dave's: This eclectic place has a small dining room on one side and a bar on the other. Walls are plastered with memorabilia that will make you smile. Food is made from scratch and the place is known for its 10-hour barbecue and chile verde. The bar's patio is filled with old mining equipment and weird yard art. 4962 Tennessee Ave. 928-565-3283.

Where to Shop

Shady Lady Attic Antiques: 4881 Payroll St. 928-565-2886.

Van Meter's Silversmithing: 4727 Tennessee Ave. 928-565-4180.

Claim Your Treasure: 4980 Tennessee Ave. 928-565-4684.

Where to stay

Shep's Miners Inn: This lodging offers 15 modest but comfortable rooms in an adobe building that dates to the early 1870s. $50. 928-565-4251.

Roger Naylor's Arizona

Every month in Explore Arizona, Roger Naylor shares his favorite finds from traipsing around the state.

Monday, March 10, 2014

MDA acquires Charlie Michael Collection

Charlie Michael, who lives in Las Vegas, contacted member Roger Mitchell in early February regarding interest in his collection of mining journals dating back to the 1880s. Roger recommended he contact us here at the MDHCA while giving him some background on our collections. It turns out Charlie knows Dennis Casebier as well as members Gail and Donna Andress. We invited him to come take a tour and decide if this was the place for his collection.

Charlie arrived at Goffs on Saturday, February 15, accompanied by his son, Aaron. We gave Charlie a full tour of the property, and discussed the collection and how we can preserve and protect it. We then proceeded to unload seven boxes into the library of the Schoolhouse. Donna Andress was here and began checking the contents. There are copies of The Mining Journal dating from 1890 to 1951 as well as American-Canadian Geological Society journals. There are also two containers of desert artifacts.

After several emails, Charlie and Aaron returned to Goffs with an additional eleven boxes of books covering California, Native Americans, the American Southwest, and mining. There is also an extensive collection of American Heritage magazines from the mid-1950s through the late-1970s. We will begin processing these boxes to develop finding aids and provide Charlie with a record of his donation for tax purposes.

Thank you to Charlie and Aaron for these generous donations!

Friday, January 24, 2014

Bill would reopen Arizona mining museum

The Arizona Mining and Mineral Museum never was transformed into the Arizona Centennial Museum. (Republic File Photo)

By Harmony Huskinson
Cronkite News Service
azcentral.com


For three years, most of the rocks, gems and artifacts once displayed by the Arizona Mining and Mineral Museum have remained unseen.

Meanwhile, efforts to create a centennial-themed museum in its former space near the state Capitol have stalled for lack of funding.

Saying the old museum should never have been closed in the first place, a state lawmaker has introduced legislation to bring it back.

“I think it was an experiment gone bad by a couple individuals who thought about changing the museum into something else, and now it lies dormant with nothing going on,” said Sen. Eddie Ableser, D-Tempe, author of Senate Bill 1023.

Ableser has introduced a bill to reopen the museum every year since it shut its doors in April 2011.

In 2010, Gov. Jan Brewer presented plans for an Arizona Centennial Museum, which would occupy the Mining and Mineral Museum’s space and showcase Arizona’s Five C’s: cattle, copper, cotton, citrus and climate.

It was with this intention that the Legislature transferred responsibility for the museum and the state’s mineral collection from the Department of Mines and Minerals to the Arizona Historical Society.

Brewer assigned the Arizona Centennial Commission to raise moneyfor the new museum by approaching businesses, with fundraising goals set between $9 million and $15 million.

But the commission never raised enough money to move beyond the planning phase. After Arizona’s centennial came and went, the proposed museum’s name changed to the Arizona Experience Museum.

Brewer’s press office didn’t respond to calls and e-mails seeking comment on the bill. Karen Churchard, director of the Arizona Centennial Commission, was out of the office, according to the Arizona Office of Tourism, and was not available to comment.

Ableser’s bill, which had yet to be scheduled for a committee hearing, would transfer responsibility for the museum from the Arizona Historical Society to the Arizona Geological Survey, which absorbed the Department of Mines and Mineral Resources’ duties in 2011.

Ray Grant, a retired geology professor at Mesa Community College and co-author of “Mineralogy of Arizona,” said closing the museum prevented people from learning about a profession vital to Arizona’s fabric as a state.

“To me it’s one of the greatest geologic states ever. Millions of people come to the Grand Canyon. What’s it about? It’s all geology, isn’t it?” he said.

Former Rep. Russ Jones, R-Yuma, who authored the 2010 legislation transferring responsibility for the museum and its collection, said low revenue and high rent made the Mining and Mineral Museum unsustainable.

“The museum portion was very, very popular. Unfortunately, the revenues from the activity as a museum were just a fraction of the cost of maintaining and paying the rents on that facility,” he said.

The rent for the building is still paid for by the state. According to a report by the Joint Legislative Budget Committee, the fiscal 2014 budget provides $428,000 to the Arizona Historical Society, $360,800 of it for rent on the unused museum space and $67,500 for a curator to care for the state’s mineral specimens.

Saying it’s unfortunate that the commission couldn’t raise enough funds for a centennial museum, Jones said Ableser’s legislation would only cause more problems. The Arizona Geological Survey would require a huge sum of money and an increase in staffing to restore the museum, he added.

“There’s so much we need to do that remains undone as we crawl out of the recession, I find it hard to justify millions of dollars for a mining museum when need to fund things for Child Protective Services, the list goes on and on,” Jones said.

Ableser’s bill doesn’t include any appropriation for bringing the museum back.

The collection from the former museum currently consists of more than 21,500 specimens and objects, according to the Arizona Historical Society’s website.

Even if Ableser’s legislation doesn’t succeed, people can see several of the state’s minerals on display at the University of Arizona Mineral Museum, including a 225-pound azurite boulder from Bisbee.

Other minerals will be part of a new Gallery of Natural History opening soon at the Arizona Historical Society’s Museum at Papago Park, said Mark Candee, assistant curator and collection manager at the UA museum.

But Ableser still thinks the Mining and Mineral Museum should once again serve as home to the state’s collection.

“Many of the volunteers that sacrificed their hours and time and resources have all the supplies still with them, ready to go, and we can reinstitute the mineral and mining museum today,” he said.

Related Info on Arizona Mining and Mineral Museum

1884: A collection of minerals is first displayed at the Arizona State Fair.
1917: The Legislature provides $30,000 to construct a permanent home for the collection at the Arizona State Fairgrounds. Private funds help complete the work.
1919: The building opens with that year’s Arizona State Fair.
1953: The collection, still at the fairgrounds, opens full-time as a museum.
1973: The museum becomes part of the Arizona Department of Mineral Resources.
1991: The museum moves with the Department of Mines and Mineral Resources to West Washington Street near the Arizona state Capitol.
2011: The museum is closed to make way for a centennial museum that has yet to open.

Saturday, January 12, 2013

Visit the famed Old Woman Meteorite

Old Woman Meteorite at the Desert Discovery Center in Barstow.

Trevor Summons, Correspondent
San Bernardino Sun


When he was about 3, my eldest son, Michael, had the unfortunate experience of having a ceiling falling down on him. It was in his grandmother's house and no one was ever able to explain how it happened. For about 18 months he would always check the condition overhead when he entered a room in her house and asked if it was "all mended now?"

I had totally forgotten this episode, that occurred about 45 years ago, until I walked into the Desert Discovery Center in Barstow. This is the home of the Old Woman Meteorite, and there it was - on the floor just inside the entranceway.

Now, if that had fallen on your head, you'd not have been in any condition to inquire later about anything. It weighs more than 6,000 pounds and is 38 inches high by 30 inches wide.

It's a dark brown color and there is a part of it polished as some was removed for scientific analysis and also for permanent display at The Smithsonian.

No one seems to know exactly when this impressive object decided to fall from the skies, but the formation is likely to be some 4 billion years old - when the solar system was forming.

It was discovered in 1975 by three prospectors seeking their fortune in the Old Woman Mountains, and they tried unsuccessfully to make a claim on it. A series of arcane laws did not allow such a claim to be made on meteorites and so they lost out. The contents of the rock are mostly iron with some nickel and other small amounts of exotic materials.

The rock began its newly discovered life being shown at various Bureau of Land Management locations in Southern California before it spent a few years at The Smithsonian. However, in 1980, it was returned - well, about 85 percent of it - to its present home.

This interesting museum is home to a number of other artifacts, too. Director Jane Brockhurst showed me one exhibit called Crazy Cactus, the result of an art project that involved recycled materials.

There also is an outside pond that is home to some rather rare fish called Mojave Tuiechubs. These were thought to be extinct until they were found at Zzyzx, near Baker. They are believed to have come from a line of Ice Age creatures.

Visitors can see a number of other fascinating items including a solar stove - I doubt that it can handle frozen food in a couple of minutes, though!

Children's paintings and drawings give the entire place a feeling of youth and there is no entry charge, which adds to the attraction.

Tuesday, March 1, 2011

Vintage piece of mining equipment at Calico to be restored

1870-vintage stamp mill crushed ore during silver rush

This stamp mill crushed ore to help extract the precious metals within during the silver rush era in the 19th century. Calico blacksmith Klaus Duebbert is currently restoring the mill for future operation at Calico Ghost Town. (Photo Courtesy Klaus Duebbert)

Story By AARON DOME
Desert Dispatch


CALICO • The sounds of a 500-pound hammer crushing ore will echo through Calico for the first time in more than 100 years, as an 1870 vintage stamp mill found at the silver rush-era ghost town is currently under restoration.

Calico blacksmith Klaus Duebbert found the mill in storage at the base of the ghost town parking lot three years ago, but was spurred to restore it after hearing and seeing a working stamp mill restored by a friend in Big Bear.

“When I saw that mill in Big Bear I knew I needed to restore it,” said Duebbert, who said he is a 17th-generation blacksmith.

Duebbert said the stamp mill is like “an automatic 500 pound hammer on steroids” and produces a unique crushing sound. Stamp mills were used to pulverize ore from mines to aid in extracting silver and other precious metals.

The mills were moved from mine to mine during different “rushes” and Duebbert said the stamp mill that he is restoring could have been used at six or more mines, with the mill’s last use likely occurring during the 1930s or 40s. Duebbert said he didn’t know if the mill was ever used at Calico, but has been in storage there for some time.

The restoration of the mill will cost an estimated $7,000, and Duebbert has already raised half through monetary donations and in-kind donations.

Duebbert said the mill was 90 percent complete when he found it, and missing parts had to be built or found elsewhere. The restoration is halfway done, and the remainder of the work involves building a gear reducer, replacing all of the wood and installing belts.

Although he lives in Banning, Duebbert has been Calico’s official blacksmith for 14 years. Duebbert said he hopes to have the stamp mill finished and operational for Calico’s spring music festival on May 7. When finished, the mill will be the third operational stamp mill in Southern California.

More than $20 million in silver was extracted from mines at Calico during 1881 and 1882, according to a San Bernardino County Parks release. When the price of silver fell, the of town of Calico lost its population and was left a “ghost town” by 1907.

Sunday, December 14, 2008

Mojave Desert historian keeps California's heritage alive

Dennis G. Casebier stands in front of the library in Goffs, Calif., that bears his name. The railroad depot replica holds the world's largest archive of Mojave Desert history. Irfan Khan / Los Angeles Times

Over the course of decades, Dennis G. Casebier has assembled the lost voices and hidden histories of a place largely washed clean of its past.

By David Kelly
Los Angeles Times


Reporting from Goffs, Calif. — Out on the great swells of the eastern Mojave Desert, that vast sand sea lying between Barstow and the Colorado River, there is no crumb of history, no tall tale, no arcane bit of knowledge too small to escape Dennis Casebier's notice.

"I'm fascinated by who ate rabbits," he said, sitting inside a library that will soon hold his life's work. "Did they eat jack rabbits or cottontails? Did they fry them or roast them? Did they grind them up or make stew out of them?"

"You see, that's the level of history we get into here," he said.

The soft-spoken retired physicist is a legend in this harsh land, a sort of Willy Wonka of the desert who transformed 70 acres of rock and scrub into the Goffs Cultural Center, his personal Xanadu of history and imagination.

In this tiny hamlet of 23 on the barren edge of the Mojave National Preserve, he and a group of volunteers carved roads and towed in ore carts, a defunct wooden post office, a caboose, windmills and boxcars. He bought a collapsing 1914 schoolhouse and turned it into a museum. His own Tales of the Mojave Road Publishing Co. has produced 26 books, 16 of which he wrote.

Yet none of it compares to his masterwork, the recently opened $1-million Dennis G. Casebier Memorial Library. Housed in a replica of the old Goffs Railroad Depot, the two-story, climate-controlled collection of thousands of books, maps, photos and tapes is the exclamation point on his arid passions.

Steve Mongrain, president of the Mojave Desert Heritage & Cultural Association, a nonprofit group that has helped raise money for the project, calls it "the most extraordinary historical collection of Mojave Desert history and culture in existence."

"There is nothing like it in the world," Mongrain said. "Anything that pertains to the Mojave can be researched there. It is unprecedented."

The association's 800 members donated $250,000 for the library, and the California Cultural and Historical Endowment provided the rest in grants.

Casebier, 74, has assembled the lost voices and hidden histories of a place largely washed clean of its past. The homesteads are gone, the mines closed, the tiny towns swallowed by sand.

Freight trains, some 6,000 feet long, still lumber through to Needles and beyond, but they rarely stop anymore because there are so few towns to stop in.

A 1920s picture of Rock Springs Land and Cattle Co. cowboys is one of about 108,000 photographs Casebier has collected. The library also has thousands of maps, oral histories and biographical files. (Irfan Khan / Los Angeles Times)

Gone too are characters such as gunfighter Bill Hollimon, who, when he wasn't shooting rivals, liked to pour gasoline down anthills and set them alight.

"The history is just everywhere, yet nobody is here. It's empty," said Casebier, an especially polite man who speaks with great precision.

"The people have gone, their life ways ended somehow. We are gathering the history of this forgotten land, and we have done so with a vengeance."

On a recent morning, Casebier rattled around the library, dipping in and out of the new filing cabinets. Each one contained dozens of subject files filled with personal histories.

Harrison Doyle?

"He's the oldest guy I ever interviewed, 103 or 104," Casebier said. "He was walking the streets of Needles in the early 1900s."

Llewellyn Barrackman?

"Former headman of the Fort Mojave Indians."

Betty Ordway?

"She was like the Rosetta Stone," he said. "She came here in 1914 and knew everyone and remembered everything. She knew the gunfighters and the homesteaders and where the stills were. She was the belle of the valley."

Tucked away in library cabinets are 3,000 biographies, 1,000 taped oral histories, 108,000 photographs, 6,000 books and 6,000 maps, ready for perusal by those Casebier believes demonstrate "an advanced interest in the desert."

Jo Ann Casebier, right, and volunteer Carol Brown sort historical documents. Thousands of soldiers were stationed in the Mojave during World War II, and many of their personal accounts are on file in the library. (Irfan Kahn / Los Angeles Times)

Senate Majority Leader Harry Reid, D-Nev., consulted Casebier and used information from his collection when writing "Searchlight: The Camp That Didn't Fail," a book about his hometown.

"This book is better because of Dennis," he wrote in the preface.

Students working on master's degrees have come to study the homestead period and the military history of the region. Thousands of soldiers were stationed in the Mojave during World War II. Many of their personal accounts are on file in the library.

Casebier's own history in the desert began in 1954, after he left his home state of Kansas and enlisted in the Marines. He was stationed in Twentynine Palms and spent his free time poking around what is now Joshua Tree National Park.

"It was love at first sight when I saw the desert," he said. "It's different for everybody, but for me it was the wide open spaces and maybe the simplicity."

He returned to Kansas in 1956, got a degree in physics from Washburn University in Topeka, and returned to California in 1960. He worked on guided missile systems for the Navy and lived in Corona.

Meanwhile, his passion for the desert led him into the eastern Mojave, where he was smitten by what he dubbed "the forgotten country" encircled by the Colorado River and the I-40 and I-15 freeways.

There, he found an awe-inspiring emptiness.

"All the people had moved away. The schools went away. Everything went away," he said. "You would think that people would be swarming all over this area looking for its past, but they weren't."

Casebier's Navy job often took him to Washington, D.C., where he spent evenings at the National Archives and the Library of Congress photocopying records and maps about the eastern Mojave.

At one point he found a defunct wagon trail stretching 131 miles from the Colorado River to Camp Cady, east of Barstow.

Casebier formed a volunteer group that turned the dirt track into the four-wheel-drive Mojave Road. Soon he was leading caravans down it.

Chris Ervin first toured the road in 1988.

"It was a really fun, educational and a socially uplifting experience," said the Orange County resident, who works on the archives as a volunteer. "Dennis single-handedly rediscovered the Mojave Road and got thousands of others involved. He is an inspiration and a visionary."

In 1990, after he retired, Casebier and his wife, Jo Ann, moved to Goffs and bought 113 acres that included the old Goffs Schoolhouse. Working with the Mojave heritage association, he set to work saving the school and building the cultural center, which he donated to the nonprofit.

At the same time, he traveled the country interviewing former desert residents for his oral histories, persuading many to part with photographs and personal papers.

His disarming approach put people at ease.

"I'd say, 'So, how did a nice girl like you end up in the desert?' "

Some subjects were duds, but others, he said, were "bell ringers." He interviewed Curtis Springer 54 times. In 1944, Springer founded a spa and resort in an area he named Zzyzx, just south of Baker. A road bearing the name still exists.

Betty Ordway was another bell ringer. Casebier, who found her in Auburn, Calif., was so impressed that he put her entire 155,000-word interview into two bound volumes.

"She had 500 photos and she cast light on the big things and the little things," he said. "We had gunfights out here between ranchers and homesteaders, who would help themselves to a cow once in a while. A 1925 shootout killed two gunfighters, and Betty knew both men."

And she liked her rabbit fried like chicken.

"You could see her salivate when she remembered," he said. "I just loved that. Maybe because I'm such a nut or maybe because I wish I lived back then."

With his research constantly expanding and scattered everywhere, Casebier came up with the idea of a central library.

The grants arrived in 2006 and the building was completed in July.

Archival material is still being moved in, and the rules on how people can use the library are still being worked out.

Casebier, who still does oral histories, said anyone interested in visiting must make arrangements first.

"We are targeting researchers of desert history, those who are writing books or papers or scholarly works," said Ervin, the library's project manager. "Our focus is how do we make sure this thing lasts longer than all of us? We are trying to get an endowment -- maybe $10 million -- to pay for and support all these wonderful materials in perpetuity."

Back in Goffs, Casebier hopped into a golf cart and motored down his complex's Boulevard of Dreams. He passed a Justice of the Peace office that once served the towns of Amboy and Ludlow, and pulled up in front of an old library built in 1927.

There are hundreds of books inside that have not been moved to the new library just up the road.

For desert aficionados it's a small, if dimly lit, slice of heaven. Books with titles such as "The Great California Deserts," "Our Desert Neighbors," "On Desert Trails" and "Desert Treasures" stand in dark wooden cabinets behind glass doors.

Casebier likes to sit in the back room and read. If he should ever get bored, which is highly unlikely, he could open the window and drink in unlimited blue sky.

He has spent the better part of his life studying the desert. For years people have asked him why.

"I want people to know the tremendous respect I have for the human beings who lived here and the tremendous respect I have for their self-reliance," he said.

"They were a special breed. I don't want that story to disappear."